Musicworks and Macromareal

It’s been head down and ‘getter done’ lately on a number of fronts, and so writing her has fallen by the wayside for a while.

In any case, in the midst of getting various jobs finished in the studio and elsewhere, I received a lovely thing in the mail:

The latest issue of Musicworks, with a great article by Ian Crutchley

It’s always a bit of a thrill for me to see the work of my collaborators & friends showcased – and this article about Scott Smallwood‘s work is well written and wide-ranging.

It’s also really lovely that Ian contacted me for comments fo the article, and that he wound up including some information and pictures from Macromareal – my first collaboration with Scott. Timing was more than fortuitous, as Macromareal (redux) had just closed at the ~Diffuser Gallery at Emily Carr.

A nice moment to look back on the work we did, and a great collaboration – in the midst of working on several things, and looking forward to new adventures.

Slippages in Cleveland

Happy to say that the video work I did in collaboration with Deborah Carruthers – Slippages & Panelled/Slippages – is in a Group Exhibition at Zygote Gallery in Cleveland OH. Capturing the Aura of the Already Said, curated by Margaret Hart, is on exhibition until April 26th.

An Excerpt of the performance video with synched audio below:

And Panelled/Slippages, full length with audio:

Macromareal (redux) – some images

After a whirlwind – and lovely – trip to Vancouver to install Macromareal(redux) at ECUAD, Scott and I are back in Edmonton and digging into all the other work we have to do.

Part of that for me has been editing the first batch of documentation from this exhibition, so I can share it with you.

So – without further hoopla:

macromareal redux walk thru from Sydney Lancaster on Vimeo.

And here are a few stills, for good measure!

Redux, on the Road …

I thought the beginning of this year was going to be relatively quiet – a time just to hunker down & work in the studio through the cold months.

There’s certainly been a good bit of that – preparations for an exhibition in the Fall – but then a lovely opportunity came up …

I am very excited to share that Scott Smallwood and I have bene invited to exhibit some of our collaborative work at Emily Carr University of Art + Design. Macromareal (redux) will be shown in ~Diffuser Gallery at ECUAD from February 26 – March 24 inclusive.

We will be heading out to Vancouver on Sunday to begin installing the work, and will also be speaking to some of the EUCAD classes about the project and our respective practices.

Looking forward immensely to this little get-away, and to the opportunity to share this work from the East Coast with a West Coast audience!

If you are in the Vancouver area, I hope you can stop in and see it – would love to hear your thoughts.

Everything Old is New Again? (more frozen flora)

Some beautiful images to start the year. My thanks to Karen McRae and her exquisite eye for capturing these moments so perfectly.

Wishing everyone a good 2019!

All images copyright Karen McRae, 2019, including ‘featured image’ at the top of this page.

Macromareal at University of Lethbridge

Happy to say that I have been busy sorting and packing work, and helping to write a presentation for the last while …

Scott Smallwood and I will be presenting a talk and our collaborative work Macromareal: a rising tide lifts all boats at Crossing Boundaries/IAST 2018 symposium, October 25 – 27th!

iast talk

IASt talk desc

If you would like more background on this project, see the blog posts here>, here>, here>, and here> – and the project page HERE>

It’s going to be a really interesting few days, and I am looking forward to meeting the other participants and talking with them about discipline-bridging work. I’ve long held the belief that the ‘divide’ between art & science as disciplines is false and limiting – which is not to say that there aren’t real challenges to be faced when working this way.

IMG_3005

But there are so many rich opportunities to be had for artists to stretch themselves and learn to ‘speak science’ a bit better, and pay attention to the precision in research & practice in that discipline  – just as there are for scientists to learn how to ‘speak art’ a bit better and open up the potential for co-creation, and approaching their work with fresh eyes (and ears!)

 

The Present is the Key to the Past: Glaciers, Scores, & Sound

Here’s a great little interview with Jonathan Girard and Deborah Carruthers about Slippages,and some of the thinking behind the work! Getting very very excited to see this all come together tomorrow. Enjoy!

Seeing Sound … and getting ready for Slippages

I’m in Vancouver now, and working on the last edits for the video work I am creating to accompany the world premiere of Slippages on October 5th.

image © 2018 Deborah Carruthers, used with permission

 

I am delighted to share UBC Orchestra Director Jonathan Girard‘s take on what we are doing:

“Deborah’s gorgeous score presents a thrilling challenge. How do we, as musicians, interpret visual art?” explained Girard.

“We want the music to speak to the cool beauty of the work, but also the ideas behind it: of flux, of change, of loss. Just as the natural world has a life of its own, a kind of agency apart from human influence, we want the music, through improvisation, to have a life of its own that goes above and beyond the performers.”

image © 2018 Deborah Carruthers, used with permission

 

For those of you not able to attend in person – the performance will be LIVE STREAMED – so I hope you have a chance to check it out!!

Getting very excited …

Slippages

Life presents some really fascinating opportunities now and again, and I am excited to say one has crossed my path!

I will be presenting a brand-new collaborative video work entitled at the Chan Centre for the Performing Arts in Vancouver BC on October 5th!

This new work is part of a larger performance and installation work – Slippages – developed by Montreal artist Deborah Carruthers, that is an outgrowth of her work as Artist in Residence at the Peter Wall Institute for Advanced Studies. Slippages  is a synthesis of material from researchers at the University of British Columbia  (UBC) regarding the physical, anthropological, and philosophical properties glaciers. In collaboration with Maestro Girard (and Wall Scholar for 2018-2019), Deborah is working with the 110-member orchestra to present a structured improvisational sonic piece drawn from a graphical score she has created; the video work we are creating will be presented above the orchestra as part of the performance.

Ice contains no future, just the past, sealed away. As if they’re alive, everything in the world is sealed up inside, clear and distinct. Ice can preserve all kinds of things that way – cleanly, clearly. That’s the essence of ice, the role it plays.
― Haruki Murakami, Blind Willow, Sleeping Woman

Athabasca Glacier- Macro No. 3, giclée on Epson enhanced matte paper, 24″ x 36″, 2017 ©️ Deborah Carruthers

 

 

For those in the Vancouver area – this is my invitation for you to join us!

I am really thrilled to be working with Deborah, Maestro Jonathan Girard, and the UBC Orchestra to bring this work to life.

Storms

 

Came across this first thing this morning.

I have always been fascinated/obsessed/drawn to/entranced by thunderstorms –  this time lapse work from Mike Olbinski is gorgeous.

Will have to wait several months to get even close to a real thunderstorm, so I will just have to take in Mike’s work in the mean time. Thanks to This Is Colossal for posting!

Hope you enjoy!