This String of Moments

I’ve been thinking a good bit over the last few months about self-care, and in particular the need for conscious self-care on the part of artists.

In part these thoughts come from my own understanding of what I need – starting with saying ‘no’ more often – and honouring the fact that I need LOTS of recharge time on my own to be good to and for others and for the community I wish to support and serve. That means fewer opportunities sometimes – which has its own sort of stress. But for me right now, that’s necessary. These thoughts also stem from many conversations (truth to tell, too many) with other artists over the last couple of years about the reality of their lives, and about exhaustion and burnout.

How incredibly focussed and dedicated my colleagues are – and how tired. Juggling jobs (two? three? more???) some of them, to keep head above water in a gig economy. OR, finally landing “THE job” – the one that pays enough to forego the side gigs – just to see time and energy eaten week after week by the needs and demands of the work at hand, because there aren’t enough hands to do the work, or hours in the day … and they are responsible people, who care about their colleagues and the work they do.

And these bright, talented people ask themselves (and have admitted to me): “I wonder if I am still an artist? Can I even call myself that anymore?

That’s a hard thing to hear, especially given that it’s evident how much talent they have and how much they have to offer the world and their community, on all kinds of levels.

SO – why on earth am I talking about this, and interspersing these observations with pictures of autumn leaves, and glancing sunlight, and panorama photos of coastlines and sky?

Because I have the privilege of being able to take some time for myself just now; I have joked that I have “run away” temporarily … but I haven’t really. Not at all.

If anything, I have gone away to be more totally present. I had the opportunity to get away from my home city and all that is familiar, and to spend some time in another part of the country. I jumped at it. I knew I needed the break very badly, and was (and continue to be) incredibly grateful for the good fortune that has allowed me to do this.

To just be for a little while.

To figure a little bit more out – what next, why, what are the limits, how far and hard to push, and in what direction.

What is healthy (for me) … what is healthy for each of us? It can’t be the grind that I see so many people inside, in all walks of life. Is it any wonder so many of us are angry? Sad? Feeling desperate?

Do I have the solutions or answers or tools to help? I have no idea. But I do know that not having the opportunity to just STOP for a little bit, every so often, absolutely precludes the opportunity to consider these questions – and to seek the answers that are right for oneself.

May the world shift in favour of more humane ways of being for all of us.

Tomorrow is another day, and perhaps it will be a good one, for more of us.

Macromareal (redux) – some images

After a whirlwind – and lovely – trip to Vancouver to install Macromareal(redux) at ECUAD, Scott and I are back in Edmonton and digging into all the other work we have to do.

Part of that for me has been editing the first batch of documentation from this exhibition, so I can share it with you.

So – without further hoopla:

macromareal redux walk thru from Sydney Lancaster on Vimeo.

And here are a few stills, for good measure!

Some thoughts on leaving and coming back

I am preparing to fly West this afternoon, after a busy and very productive several months in various spots in Nova Scotia. A great residency with Scott Smallwood, and new work launched in Parrsboro, at Main & Station. The start of some new and exciting collaborations with Deborah Carruthers and with Susan Tooke.  Time to experiment with cyanotype processes, work on video and audio projects.  Time to hike, to make photographs, to think, to further the long-term process of healing my body (thank you Acupuncture and Massage Therapy!)

It feels like much more time has passed since I was last on ‘home turf’ – or rather, that the tempo and scale of time as I experience it has shifted in a fundamental way – and now I have to find my way back to something more familiar. Not quite there – and I think that’s a very good thing. VERY.

It was a good place and time to be reminded of the diverse (and often very difficult, painful) histories of any given place. How easy it is not to see that – how easy to get lost in the vast beauty of the place – any place – and look but not see. The beauty is part of those histories; it’s woven into the different scales of time inherent in that locale to be sure. Geologic time. Tidal Time. Seasonal Time. Mythic time. Colonial Time (a very slippery fish, this one). Settlement Time. Expulsion Time. Industrial Time. And on and  on … but make no mistake, there’s nothing linear about this.

The ‘present’ as we fashion it in any given moment is its own rabbit hole; a crucial vantage point (and obviously the only one available in a pragmatic sense), but it’s also a very troubled and troubling place from which to assess the relative value of most things and actions and ideas … . The popular narratives that tend to overwhelm all other chatter are still those that yoke the present to doing cartwheels toward the ‘somehow-better-future’. Because, of course  ‘things’ will be ‘improved.’ This is the wish, the hope, and the outcome to be willed into being, somehow.

And under it all, the land remains—a page upon which this story is “written, erased, rewritten,” as author Teju Cole put it. Only memory and history can interrupt this cycle of revision we commonly refer to as progress. And those interruptions are vital, absolutely necessary, if we are to navigate some way toward a better way of existence for ourselves (on all levels), and co-existence with all beings.

Remains to be seen how well I am able to carry these glimmers of understanding forward as I return to the familiar places and routines – but the intent (and hope) is there.  Patience, process, compassion.

Old Boats Recycled Into Sheds

After working this summer in Parrsboro with Scott Smallwood on a project
that explores the interconnections between the tide, the land, and the human history of the area (which included shipbuilding), these beautiful structures speak volumes to me – about change, and resilience, and different ways of looking at the idea of abundance.

I am also a total sucker for the ways in which these boat-houses help to retain the many generations of work and relationship to the sea in these coastal places.

My thanks to eMorphes for bringing these structures to our collective attention!

And the Tide Turns

I’ve been hunkered down and quiet the last while, for a number of reasons.

Travel – back west and then back east – for the AGM of Visual Arts Alberta – CARFAC, and for a memorial service in Calgary.

Work – finishing up some experiments in cyanotype (!), and writing a grant report.

Taking a little time to catch up on all the reading I’ve been wanting to do for months now, and doing some thinking about new projection the horizon.

And (finally), doing an update on a portfolio page on my website.

SO.

Now that all of that is sorted, here’s the (long overdue) update – the “How I Spent My Summer” edition (click the pic!):

 

Making … and Unmaking

The process of installing (and then striking) and exhibition always feels a little bit like alchemy to me.

It’s the presentation of a series of things transformed: from the raw materials, to the work, to the exhibition itself … and then it all disappears again. Of course it’s not that at all in practical terms.

It’s the work of being an artist, in all the different shapes that takes.

Still, it’s an interesting process to be completely inside, from start to finish …

From This:

 

To This:

To This:

And Finally:

And soon, all those boxes will be on their way across the country … and I have no idea where they will wind up after that!

Another bit of alchemy to come.

Last Week for the Exhibition!

I’m a little boggled by how the days have passed by since our exhibition opened.  Just this week, and I’m back to Parrsboro to take down the show, and pack it all up for shipping.

I’ve been really quite chuffed by the feedback we have been getting on the work. Our lovely hosts at Main & Station tell us that there have been a good many visitors, and that many of them have been spending some real time with the work. Some, up to an hour.

That is so lovely to hear. I am deeply grateful to everyone that has stopped in so far, and for the opportunity to show this brand-new work, fresh out of the studio.

And if you are in the area, macromareal (a rising tide lifts all boats) is on exhibition until August 26th at Main & Station in the 2nd floorGallery. If you do stop by, please let me know! I’d love to hear your thoughts on the work!

Some more photos, for those too far away:

macromareal: a rising tide lifts all boats

Our exhibition is officially open!

Had a lovely time at the opening reception yesterday afternoon; some great conversations with people, and a good turn out! Lovely food too – thanks to Judith at Main & Station!

I was quite struck with the reaction of people to the show: several guests stayed for a long time, just watching and listening. Had several people let me know they were going to come back and sit with the work when they could.

Couldn’t be happier with that. It’s extremely rewarding to hear – and I’m grateful that people took the time to speak with me and comment on the work at length.

A short video walk-through for you here. More images to follow soon!

Hope you enjoy.

Already?! The Exhibition Opens Tomorrow!

The days have been flying past, and I find myself here, on the eve of our exhibition opening in Parrsboro!

I am looking forward to sharing the work Scott and I have been developing over the course of this residency, and interested in hearing feedback about it.

 

For those in the area of Parrsboro, Nova Scotia, details are:

Saturday August 12, 2017

4:00 – 8:00 pm

Opening Reception

at

Main & Station, 2nd Floor Gallery

168 Main Street, Parrsboro

Artists will be in attendance.

Looking forward to seeing those of you that can make it!

 

For those farther afield:

I’ll be posting images from the Opening and some documentation of the show here in the next few days.

 

Post-Performance, Pre-Exhibition

We had a marvellous time on Sunday, presenting “Macromareal Prelude: In Fog and Storm and Rain” !

Everything fell into place so beautifully – we had planned to present at the beach, but the forecast pre-empted that idea – but Plan B turned out to be so great! No regrets there!

Deep thanks to all the musicians for a fantastic performance, and for being willing to adapt as needed on short notice. Thanks also to Ottawa House for lending us the beautiful ship’s bell from their artifact collection for this event. Special shout out to Randy Corcoran for the tremendous support, and donation of the buoys for my performative part in the day’s proceedings!

The Nonesuch Centre for the Performing Arts has really good acoustics, and lovely nooks and crannies to hide musicians … and Scott did a terrific job of adapting the work to the space. We were able to get a really nice recording of the performance, and some great photos and video. Scott even played the pipe organ!

Monday we were into full-on exhibition install mode … and while it was a hard working day, we got a great deal accomplished! Almost ready (already!) for the exhibition opening this Saturday (August 12) … more to follow on that very soon.

In the mean time, you can have a listen to the rehearsal of “Macromareal Prelude: In Fog and Storm and Sunshine”(on First Beach, Saturday August 5) here:

And the performance (at the Nonesuch Centre, Sunday August 6) here:

Some images from both below. Hope you enjoy!

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