I’ll be speaking on MAKE=BELIEVE, an ongoing site-specific project that has been in development for the last several years. Recently, this project has really taken off in a number of ways; thanks to the support of the Edmonton Arts Council’s Creator’s Reserve Program, I’ve been able to take a deep dive into the project, and have discovered so much more that I want to pursue.
It’s really exciting to have the opportunity to talk about work in progress, and get feedback from a different community of artists, and I’m very grateful to Sheila McMath and Inter-Arts Matrix for the invitation!
Information on the talk and link to register is below:
SNAP has done a fantastic job of keeping everyone safe for the last several months, and the Members’ Show & Sale will be no exception. For folks who prefer to limit their exposure outside their bubbles/cohort, you can shop the entire show online too.
I feel extremely grateful to be part of this community, and even more so that I will have work in this exhibition along side so many talented SNAP artists.
Check it out online or in person – it’s going to be lovely!
This will be a FREE, online, informal conversation with Sarah Huffman of the AGA; I’ll be walking participants through some recent projects, showing some new work that will be avaialable through Art Rental & Sales and talking about my approach to art-making.
If you’re interested and have the time, it would be lovely to see you – there will be a Q&A after the presentation.
I have been busy working through the last few months of documentation from the work done this year on MAKE=BELIEVE. So much to think about, and many, many threads of research to pursue. The longer I work on this installation, the more I learn and discover. What a joy that is.
Here’s part 1 of a walk through the installation – I hope it’s a chance for people to pause for a few minutes, and maybe provide a little break in these odd and crazy times.
Looking forward to any feedback you may want to provide. Stay well & safe.
Grateful for a couple of quiet days, so that I could get to the documentation, and actually DO this!
So – here you are – a short video walk-through of Macromareal!
A note in the sound you will hear: the first is an excerpt of “Fogbreath,” created by Scott Smallwood from field recordings in and around Parrsboro NS, where we held residencies to create this work in 2016 and 2017. This sound work was presented in the first gallery, as shown in the video.
The second is an excerpt of a recording of “Wave Passage Effects,” which Scott created in MAX, and which was presented in real time in the second gallery, with a video projection of the software used to sonny environmental data in real time in the gallery. This was an opportunity to ‘see sound’ and ‘hear environmental data’ from the magnificent Bay of Fundy.
The third excerpt is from the recording of the (very first!) 2017 performance of “Macromareal Prelude: in fog and storm and sunshine” composed by Scott as part of this project. We presented this work at the beginning of the exhibition at SNAP Gallery as well, but with a group of wonderful brass musicians.
Hope you enjoy this – and if you have questions. please feel free to shoot me a note from my contact page.
SATURDAY October 10, 2020 – 1pm – 2pm MST SNAP will be presenting our artist talk, online.
Macromareal approaches the tidal range in the Bay of Fundy, its documentation, and related environmental data through a series of interrelated works that explore the cyclic and durational aspect of natural processes, and the relationship between those processes, human activities, and conceptions of time and memory. The artists will discuss the trajectory of the Macromareal project, their collaboration, and the resulting concoction of work in the exhibition.
This lecture is free, online, and open to the public.
Into roughly the 8th week(??) of isolation (time has become incredibly fluid for me), and as the days pass, I think increasingly about what will be in the “time after.” Everyone is in such a rush to “get back to normal,” to reopen businesses and relax some of the protocols that have kept many of us safe and healthy – if not employed. I do absolutely sympathize with those who want to re-open their businesses, who are desperate to earn an income to support themselves and their families. It’s at least as frightening to have the economic rug pulled suddenly out from under you as it is to come face to face with a pandemic. This is about survival, on so many levels.
BUT. I am going to articulate massively unpopular opinion.
I DO NOT WANT to get back to “normal life.” Not soon, and if I am honest, not ever.
I’ve been thinking a great deal about how ‘normal life’ breaks people and communities through its enactment of privilege, how many people are silenced in so many ways, how at its root this is all about the trade of labour and creativity to enrich the few on the backs of many – and at the expense of the environment and all other beings. How I desperately, urgently, passionately want it all to CHANGE for the better on the other side of this. How afraid I am that it won’t. And how I feel increasingly paralyzed by the prospect of a ‘return to before.’
This is true for me in relation to the broader culture in which I live, and for the sector in which I work. This is a moment in which we could – and should – recognize that not only will the ‘new normal’ be with us for a long time (2 metres for the win!), but the ‘old normal’ is something that we should neither wish for nor return to. It also may be moot – because the ‘old normal’ may not exist for much longer, regardless of what some (or most) people desire.
“Normal” or “business as usual” has been exposed with utter clarity by the pandemic: the glaring gaps in care, the enormous disparities that are actively cultivated and maintained by the systems in which we live and work. How many people have no choice but to risk their health and that of their loved ones & work in this time, in order to survive; how the most vulnerable of us have even fewer options to remain safe and healthy.
How many of us have seen our entire sector shut down, cancelled, income evaporated, in already tenuous livelihoods.
So this is a point in which we can CHOOSE what kind of world we want to live in moving forward. And we need to ask these questions of ourselves – NOW – while we have the time and opportunity to do so.
What are you prepared to do to create a more equitable culture and community as we come out of this? How can we work together to make that happen?
What aspects of ‘normal life’ are you happy to see gone?
I leave you with these questions – and encourage your replies … and also with an excellent essay by Lou Sheppard; they articulate far more eloquently than I some of the things that have been worrying me about what comes next.
It’s been quiet here in some ways – and definitely not in others! Whilst we have all been minimizing our in-person contact with friends and colleagues (well ok, with EVERYONE!) for the last few weeks, there’s been a flurry of activity behind the scenes regarding advocacy and support initiatives of various sorts. It’s been confusing at times, and much has happened very quickly – so it’s been challenging to keep up and understand what is relevant to my profession as an independent visual artist, and to the sector as a whole.
Happily, CARFAC Alberta and CARFAC National have been doing a fantastic job of compiling and distilling information as it becomes available, and advocating for appropriate support for our sector. I have never been more grateful for the work these organizations do to support artists and advocate on their behalf. As a board member in both, I continue to offer my time and effort to help them help all of us.
If you want to chat about what’s available, what you are facing, and what CARFAC is doing, I’ll be part of an online session on MAY 2, from 1:00 pm – 2:30 pm MDT
Join CARFAC Alberta for a SATURDAY ZOOM ENGAGEMENT… What CARFAC is doing for Visual Artists during COVID -19 Hosted by Chris W. Carson: Executive Director, CARFAC Alberta and guest Sydney Lancaster: CARFAC National Board Member and Alberta Representative on the CARFAC National Board.