Tag: place

These Days, Upon Us ALL.

Couple of articles here too, with thanks to the Globe and Mail for highlighting these voices:

https://globe2go.pressreader.com/article/281728389147735

https://globe2go.pressreader.com/article/281784223720196

I find myself considering the parallels between erasures – especially of late, given the recent ‘scandal’ to rock Parliament. The tried and true argument that “we didn’t know” that runs through this moment ( and the various forms of pushback that insist “it wasn’t that bad” or “it didn’t happen” or “show me the proof”) are the voices of those invested in the status quo: in the continued silencing of those voices that speak truth to power, and to the system of settler-colonialism that permeates every aspect of the dominant culture in this country.

I wonder at the blindness. I wonder at the cruelty. I wonder at the refusal to listen, let alone acknowledge our continued collective culpability … for so many things. And to actually ACT – to expect and insist that those in power do better – seems more difficult by the day.

Time to think and consider (yet again): What more can we each do to create lasting change here? This is a question that has motivated me for many years, and motivated the work I did for my MFA. It will continue to motivate me to try to do better, to be a better neighbour and be in genuine relation.

by Categories: activism, Advocacy, CommunityTags: , , , , Leave a comment

Just trying to get level …

The saying goes ‘the devil is in the details’ … nothing truer than in the last bitty things that go into making an exhibition happen.

We got there, though!

peeling … nothing more than peeling …

My thanks to the Rotary Arts Centre for hosting this work and for treating me so well … more on that very soon when I catch up on a little rest …

by Categories: Exhibitions, new work, Projects, videoTags: , , , , Leave a comment

New things coming …

It’s been a head-down, get-things-done time for several months now. Board work, projects in various stages of development requiring attention, travel,  … and soon, an exhibition of work.

I am thrilled to have had the opportunity to return to the Boundary|Time|Surface project over the last several months – digging back into the images and video, thinking through the ideas again, making new work.

And soon, the results of that revisiting will be on exhibition at the Art Gallery of St. Albert! 

The exhibition opens on September 5 2019, at 6:00 pm. – and continues until November 2 2019.

It has been a really interesting process to look at this body of work with the fresh eyes of time and distance, and to consider the ways in which my perceptions of the place and the thoughts it provoked have both changed, and stayed the same. Interesting too, that many of the concerns I had that were brought to bear on the first iteration of work for gallery presentation have only become more urgent – closer to the bone for me.

Every time I look at the photos and video I took in 2014 during my residency in Gros Morne National Park, I learn something more. About myself and what I value as a human being, as much about the nuances in the place itself. It was good and difficult work to go back into the material, push harder with research and art-making both, and consider the implications of bringing this work (in essence) almost all the way across the country for a second showing.

A good friend and fellow artist asked me once “when do you know the work is finished?” For this body of work … I don’t know that I will ever be “finished” – at the least, not with the ideas inherent in the project. But I am, overall, happy with the results of reading and writing and running down rabbit holes of ideas that has been going on for the past year.

SO – this exhibition with feature a good bit of brand-new work, and those pieces from 2016 that ‘made the cut’ will have new conversations and readings in relation to what I’ve been working on/through.  This is also the first time this work (in any iteration) had been shown west of Newfoundland … so even “old” work feels new in this context.

I hope those of you reading this in the Edmonton, Alberta, Canada region will join me at the opening (more exciting news on that to follow soon!) …  hope to see you there.

by Categories: abarts, Exhibitions, featured, nature, Projects, Residency, Sculpture, time lapse, video, yeg, yegartsTags: , , , , , , , , , , , , 8 Comments

Slippages – video of the performance

Back in Edmonton now, doing some post-performance and post-Thanksgiving work: the “get yer ducks in a row” for the next work to be done.

Much to be thankful for, as always – being able to make work with talented collaborators, the opportunity to share ideas and approaches here and in person, the tremendous support I receive from my family and friends (without whom none of this would be possible).

So – a brief moment to take stock, and to share a link to the video of the performance shot for Livestream on October 5th.

Click on the IMAGE BELOW to go to the UBC School of Music’s video:

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The Present is the Key to the Past: Glaciers, Scores, & Sound

Here’s a great little interview with Jonathan Girard and Deborah Carruthers about Slippages,and some of the thinking behind the work! Getting very very excited to see this all come together tomorrow. Enjoy!

by Categories: abarts, Artists, Exhibitions, featured, glaciers, ice, nature, new music, new work, Performance, Projects, waterTags: , , , , , , , , , , 2 Comments

Seeing Sound … and getting ready for Slippages

I’m in Vancouver now, and working on the last edits for the video work I am creating to accompany the world premiere of Slippages on October 5th.

image © 2018 Deborah Carruthers, used with permission

 

I am delighted to share UBC Orchestra Director Jonathan Girard‘s take on what we are doing:

“Deborah’s gorgeous score presents a thrilling challenge. How do we, as musicians, interpret visual art?” explained Girard.

“We want the music to speak to the cool beauty of the work, but also the ideas behind it: of flux, of change, of loss. Just as the natural world has a life of its own, a kind of agency apart from human influence, we want the music, through improvisation, to have a life of its own that goes above and beyond the performers.”

image © 2018 Deborah Carruthers, used with permission

 

For those of you not able to attend in person – the performance will be LIVE STREAMED – so I hope you have a chance to check it out!!

Getting very excited …

by Categories: abarts, Artists, Exhibitions, featured, glaciers, ice, nature, new music, new work, Performance, Projects, waterTags: , , , , , , , Leave a comment

Exhibition Walk Through: MAKE=BELIEVE, in Archived Land – Terrain Archivé

There’s one more week to see Archived Land – Terrain Archivé at Jackson Power Gallery in Edmonton.

The show closes 5pm September 29th.  Gallery hours are by appointment (780-499-7635) during the week, and Noon – 5 pm on Saturday.

For those of you who can’t make it in person, here’s a short video walk-through of my installation, MAKE=BELIEVE. Hope you enjoy it. (turn ON your sound!)

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Opening Archived Terrain – Terrain Archivé

Had a lovely time at the Opening Reception for Archived Terrain – Terrain Archivé this past Friday night.

A HUGE Thank You to everyone that came out on a busy evening, with less than ideal weather!

We all had a busy night; lots of lovely conversations, and thoughtful comments. The best way to launch new work into the world.

I was also really happy that the lovely humans that have supported this project from the outset – and on whose land the original living installation sits – were able to attend and see this first foray into taking the MAKE=BELIEVE project into a different context! looking forward to lots of chats and feedback from them on this exhibition!

For those of you who weren’t able to be there last Friday: Archived Terrain – Terrain Archivé is up until 5pm September 29th. Regular hours are NOON – 5pm, Saturdays and Sundays – other times by appointment.

I will be gallery sitting on Sunday, September 23rd, NOON – 5pm, if you want to visit!

Some images of my installation/room below:

the entryway
photo montage of animals in the installation on the farm
tail of an old windmill from the farm; what we do to bend the land to our purposes never lasts
a sun and compass from found objects
video installation
the windmill tail again
digitally manipulated photo and found object installation … the immigrant/homestead experience is part of this work
3 digitally manipulated photographs; human use of raw materials becomes camouflage
my work out in the hallway, too!

by Categories: abarts, Artists, Community, Exhibitions, featured, nature, new work, Projects, Sculpture, time lapse, yeg, yegartsTags: , , , , , , , , , , , , , , , , 5 Comments

Archived Land – Terrain Archivé

I am very happy to say that I will be presenting some brand-new work in a group show coming up very soon!

Details below – I look forward to seeing anyone in the area who cam make it to the Opening Reception.

Exhibition hours after the Opening are listed in the invitation, or by appointment.


Exhibit image (altered): Provincial Archives of Alberta #GR1983.0421

Some information about the exhibition:

ARCHIVED LAND : TERRAIN ARCHIVÉ   at Jackson Power Gallery, Edmonton September 15 to 29

2ndfl, 9744 60 Ave, Edmonton, AB

Opening reception 7pm, September 14, 2018

Exhibit hours: Noon to 5pm

Saturdays and Sundays, September 15 to 29

Or by appointment: 780-499-7635

 

Jackson Power Gallery presents Archived Land : Terrain Archivé, the final exhibit before the gallery closes its doors.

Land holds memory: layered, fragmented, buried, or strongly etched.  It represents identity and connection to our own history and to those who came before us; a narrative landscape that intersects human experience and the natural world.

The gallery’s layout of separate but interconnected rooms forms an environment for individual artist’s interpretation of the theme, providing the visitor with the perception of movement through time and place.

Exhibiting artists:

BELLE//MONDO

Une initiative par collaborateurs/a collaborative initiative by:

Patrick Arès-Pilon & Conor McNally

BELLE//MONDO vous invite à rentrer dans un assemblage de photographie tirée de vrai pellicule diapo Ektachrome datant de 1997.  Cette oeuvre place un regard sur les environnements naturels et bâtis captée sur le territoire du traité numéro 6 incluant à Edmonton, Spruce Grove et La Sapinière en 2018.

BELLE//MONDO welcomes you to enter an immersive photography installation using vintage 35mm Ektachrome slide film (frozen since 1997). This collaborative work features layered sights of natural and built environments captured on Treaty 6 land in and around Edmonton, Spruce Grove & La Sapinière in 2018.

 

Paddy Lamb

Paddy considers himself to be a Canadian, Irish, Ulster Scots, Quaker, Huguenot, Celtic, Proto-Indo-European citizen of the world. His painting, drawing, and installation work acknowledges the role of landscape as a repository for our history, culture and collective memory, exploring the imprint of society on nature and how we form deep and lasting attachments to the land. His work is also a form of self-examination – a search for alternatives that continue to define his ‘sense of place’.

 

Sydney Lancaster

Sydney’s multidisciplinary practice explores the complicated position the individual inhabits in relation to ideas of place, land & ownership, and the ways in which both people and spaces are ‘written upon’ by larger social-political-cultural narratives over time. She is interested in the realities exposed by branches that only bend so far and how newer growth offers much more flexibility, but less strength for supporting weight.

Ultimately, her work is about how we understand and make sense of the land and the space between us.

 

Marlena Wyman

As a long-time archivist and now Edmonton’s Historian Laureate, Marlena Wyman’s art practice is informed by history, and her rural Alberta upbringing provides her with a deep connection to land.

We interpret our memories and identities in part through traces of past lives, whether of our ancestors or others. A haunting photograph or a handwritten passage in the diary or a letter of a long dead stranger can create a profound personal connection.

by Categories: abarts, Artists, Community, Exhibitions, featured, nature, new work, Projects, time lapse, yeg, yegartsTags: , , , , , , , , , , , , 1 Comment