SNAP has done a fantastic job of keeping everyone safe for the last several months, and the Members’ Show & Sale will be no exception. For folks who prefer to limit their exposure outside their bubbles/cohort, you can shop the entire show online too.
I feel extremely grateful to be part of this community, and even more so that I will have work in this exhibition along side so many talented SNAP artists.
Check it out online or in person – it’s going to be lovely!
This will be a FREE, online, informal conversation with Sarah Huffman of the AGA; I’ll be walking participants through some recent projects, showing some new work that will be avaialable through Art Rental & Sales and talking about my approach to art-making.
If you’re interested and have the time, it would be lovely to see you – there will be a Q&A after the presentation.
I have been busy working through the last few months of documentation from the work done this year on MAKE=BELIEVE. So much to think about, and many, many threads of research to pursue. The longer I work on this installation, the more I learn and discover. What a joy that is.
Here’s part 1 of a walk through the installation – I hope it’s a chance for people to pause for a few minutes, and maybe provide a little break in these odd and crazy times.
Looking forward to any feedback you may want to provide. Stay well & safe.
Grateful for a couple of quiet days, so that I could get to the documentation, and actually DO this!
So – here you are – a short video walk-through of Macromareal!
A note in the sound you will hear: the first is an excerpt of “Fogbreath,” created by Scott Smallwood from field recordings in and around Parrsboro NS, where we held residencies to create this work in 2016 and 2017. This sound work was presented in the first gallery, as shown in the video.
The second is an excerpt of a recording of “Wave Passage Effects,” which Scott created in MAX, and which was presented in real time in the second gallery, with a video projection of the software used to sonny environmental data in real time in the gallery. This was an opportunity to ‘see sound’ and ‘hear environmental data’ from the magnificent Bay of Fundy.
The third excerpt is from the recording of the (very first!) 2017 performance of “Macromareal Prelude: in fog and storm and sunshine” composed by Scott as part of this project. We presented this work at the beginning of the exhibition at SNAP Gallery as well, but with a group of wonderful brass musicians.
Hope you enjoy this – and if you have questions. please feel free to shoot me a note from my contact page.
It’s been quiet here in some ways – and definitely not in others! Whilst we have all been minimizing our in-person contact with friends and colleagues (well ok, with EVERYONE!) for the last few weeks, there’s been a flurry of activity behind the scenes regarding advocacy and support initiatives of various sorts. It’s been confusing at times, and much has happened very quickly – so it’s been challenging to keep up and understand what is relevant to my profession as an independent visual artist, and to the sector as a whole.
Happily, CARFAC Alberta and CARFAC National have been doing a fantastic job of compiling and distilling information as it becomes available, and advocating for appropriate support for our sector. I have never been more grateful for the work these organizations do to support artists and advocate on their behalf. As a board member in both, I continue to offer my time and effort to help them help all of us.
If you want to chat about what’s available, what you are facing, and what CARFAC is doing, I’ll be part of an online session on MAY 2, from 1:00 pm – 2:30 pm MDT
Join CARFAC Alberta for a SATURDAY ZOOM ENGAGEMENT… What CARFAC is doing for Visual Artists during COVID -19 Hosted by Chris W. Carson: Executive Director, CARFAC Alberta and guest Sydney Lancaster: CARFAC National Board Member and Alberta Representative on the CARFAC National Board.
We are all hunkering down – making the best of social distancing, of being at home (the privilege of those of us that can work from home … or find themselves now out of work).
We are reading, making art, caring for and educating children, caring for friends and others at a distance, going for walks, venturing out as little as possible otherwise … life, in silos.
Those of us facing down this strange time in human history by removing ourselves from the community (or being removed through unemployment) are where we need to be right now, for the protection of everyone, not just ourselves.
So it’s a ‘social good’ – but the varying degrees of lockdown across the country also mean that people with precarious incomes – like artists – have seen the income from their practices all but disappear, and the gig work they do to make ends meet has evaporated.
It’s still not clear (to me at least) where people that had ‘potential’ income that has dried up will fit into federal and provincial relief programs … hopefully that information will be forthcoming soon.
So – WE HAVE TO BE PREPARED.
Yes, that’s right … just when you hoped to avoid paperwork for a a while, since the deadline for tax filing has been deferred … you need to keep track of ALL the income you have lost.
It’s ain’t sexy or glamorous – and might be a bit depressing – but it is SO NECESSARY right now. By tracking our losses, we can provide an accurate picture of the financial impact of the pandemic for workers who don’t “fit” into the regular systems of income-generation and accounting.
There are many of us – so it’s vital that we have the facts to hand, so the case can be made.
Here are some tools & other resources to help:
Stay safe, take care of your self and each other. And do your paperwork! :)
This still point in the process always feels a little surreal. So much goes into the making of an exhibition. In this case, 5 years from the original project to now; at least a solid year of research and work in the studio; lots of challenges, changes, and rewards along the way.
Am I nervous? Yes, to be honest. I feel far too close to the work to be able to assess its merits at this point … one tends to dwell on the things that only hindsight reveals. But here we are.
It’s all process anyway – every work and every exhibition speaks to what is next, and new ways of doing.
At any rate, if you are around in the area, please join us tonight. It would be lovely to see you.