MACROMAREAL – at SNAP

Very excited to say that MACROMAREAL (a rising tide lifts all boats) will be opening at SNAP (Society of Northern Alberta Print-artists) on September 11, 2020!~

It’s a VERY odd time to be presenting work to the public – but I am so happy with all the precautions SNAP has in place, and so very happy to sew showing work in their BRAND NEW home!

There’s several things going on for this iteration of MACROMAREAL. Both Scott and I have re-worked existing elements of the project, and I have been busy since the last time this work was shown making a bunch of new prints! So, brand new work for us in a new space – how lucky can you get??

The exhibition will be opening on the evening of September 11, from 7 – 9 pm. This will be a hybrid event: SNAP is pre-booking (free) tickets to see the show in person, and limiting the number of people in the gallery at one time, so that everyone can stay safe AND see the art in person. We will also be online – Scott & I are attending the Opening virtually, so more people can see the work in person if they want to – and anyone else who wants to attend virtually is welcome to do so as well!

Fundy Sine, Cyanotype on Cotton, 2017.

There will also be a socially-distanced LIVE performance of Scott Smallwood’s score “Macromareal Prelude: in Fog and Storm and Sunshine” on Saturday September 12, at 1:00 pm local time, in the immediate neighbourhood of SNAP, outsdoors. We are both extremely happy to be able to work with some excellent local Edmonton musicians for this event, and to be able to present this work live in a safe way. This is a ‘roving’ performance work; the musicians will be moving in the neighbourhood as they play, and will be distanced; we ask that anyone attending keep 2metres or more from any musician(s) they encounter, and PLEASE wear a MASK!

Dress rehearsal for the original performance of Scott’s score in 2017, Parrsboro NS

Scott and I will also be presenting an artists’ talk about the genesis and evolution of the project on Saturday, October 10th, again at 1pm local time. This talk will be presented online.

A collage of various elements of the project as it evolved

And for some added fun: I will be facilitating a cyanotype workshop/demo online for SNAP on Thursday September 17, starting at 6pm.

Caution, Cyanotype on Cotton, 2019

Looking forward to all of this very much – and hope that you can join us for some of it.

Dancing in the Light

Every day that brings sunshine that warms the skin and clear pavement to walk is a gift.

Being able to stretch, feel muscles move under skin; a little more awake and alive with every step under the spring-blue sky.

Fitting then, that I came across video of this mesmerizing sculpture:

For all the dancers I know. Thank you.

A Talk, Upcoming

Very happy to say that I will be presenting a talk with John Waldron about our cross-disciplinary work on the Boundary|Time|Surface project next week.

If you are in the Wolfville, Nova Scotia area, the talk is being presented at Acadia University – details in the image above.

Looking forward to sharing this project with students from both Visual Arts and Earth Science!

A Talk September 14th

Now that the dust has settled from the Opening of Boundary|time|Surface, I am happy to say that Dr. John Waldron and I will be presenting a talk on the project, and the ideas behind our collaboration!

This Saturday, September 14, at 2pm – if you’re in the area, please join us at the Art Gallery of St. Albert for our discussion:

“Boundary|Time|Surface:

Art and Geology in Dialogue”

New things coming …

It’s been a head-down, get-things-done time for several months now. Board work, projects in various stages of development requiring attention, travel,  … and soon, an exhibition of work.

I am thrilled to have had the opportunity to return to the Boundary|Time|Surface project over the last several months – digging back into the images and video, thinking through the ideas again, making new work.

And soon, the results of that revisiting will be on exhibition at the Art Gallery of St. Albert! 

The exhibition opens on September 5 2019, at 6:00 pm. – and continues until November 2 2019.

It has been a really interesting process to look at this body of work with the fresh eyes of time and distance, and to consider the ways in which my perceptions of the place and the thoughts it provoked have both changed, and stayed the same. Interesting too, that many of the concerns I had that were brought to bear on the first iteration of work for gallery presentation have only become more urgent – closer to the bone for me.

Every time I look at the photos and video I took in 2014 during my residency in Gros Morne National Park, I learn something more. About myself and what I value as a human being, as much about the nuances in the place itself. It was good and difficult work to go back into the material, push harder with research and art-making both, and consider the implications of bringing this work (in essence) almost all the way across the country for a second showing.

A good friend and fellow artist asked me once “when do you know the work is finished?” For this body of work … I don’t know that I will ever be “finished” – at the least, not with the ideas inherent in the project. But I am, overall, happy with the results of reading and writing and running down rabbit holes of ideas that has been going on for the past year.

SO – this exhibition with feature a good bit of brand-new work, and those pieces from 2016 that ‘made the cut’ will have new conversations and readings in relation to what I’ve been working on/through.  This is also the first time this work (in any iteration) had been shown west of Newfoundland … so even “old” work feels new in this context.

I hope those of you reading this in the Edmonton, Alberta, Canada region will join me at the opening (more exciting news on that to follow soon!) …  hope to see you there.

Macromareal (redux) – some images

After a whirlwind – and lovely – trip to Vancouver to install Macromareal(redux) at ECUAD, Scott and I are back in Edmonton and digging into all the other work we have to do.

Part of that for me has been editing the first batch of documentation from this exhibition, so I can share it with you.

So – without further hoopla:

macromareal redux walk thru from Sydney Lancaster on Vimeo.

And here are a few stills, for good measure!

Talking, Tomorrow …

Just back from a whirlwind trip to Vancouver with my friend & collaborator Scott Smallwood – we installed Macromareal(redux) at Emily Carr for a month-long exhibition, and spoke to some of the students there.

Not sure I’ve caught my breath – but tomorrow (February 28) I will be speaking again, with another collaborator, about another project – this time, at the University of Alberta.

At 6pm, Dr. John Waldron and I will be speaking about our project, Boundary|Time|Surface, as part of the LASERAlberta series of talks on art/science collaborations.

 

I am really grateful & excited to have this opportunity to share this project with the wider community here – and I’m really looking forward to the feedback and discussion!

You can find more info about the talk & the project here … .

If you are in the neighbourhood, please join us!

Digging in Again … B|T|S

Been a busy busy Autumn – two exhibitions. travel to Lethbridge & Nova Scotia, Board work with CARFAC and Copyright Visual Arts

http://www.carcc.ca/en/mainhttps://www.carfac.cahttps://www.carfacalberta.com

… and now, I get to seriously “dig in” in the studio in the coming months, and revisit Boundary|Time|Surface! Very excited to be looking at this body of work again with fresh eyes, and to being to create new work for it, in anticipation of exhibition in the Fall of 2019 at the Art Gallery of St Albert.

I was also surfing through the EGU website today – the call for new abstracts for 2019 just hit my inbox.

This prompted the surf, and a bit of a walk on memory lane: John and I presented on Boundary|Time|Surface at the European Geosciences Union in Vienna a few years ago, and it was a wonderful experience.

In browsing the EGU site, I also came across this – a lovely blog post about the session convenor’s response to our project. It brought back the very lively discussions we had with so many people at our poster – about scientific discourse, about place and memory, about the ways in which human definitions and descriptions of things and places  can create (and erase!!) different kinds of understanding. Different ways of seeing.

Looking forward to investigating this gloriously complicated place and all my ideas about it.

Off to the studio!

 

Macromareal at University of Lethbridge

Happy to say that I have been busy sorting and packing work, and helping to write a presentation for the last while …

Scott Smallwood and I will be presenting a talk and our collaborative work Macromareal: a rising tide lifts all boats at Crossing Boundaries/IAST 2018 symposium, October 25 – 27th!

iast talk

IASt talk desc

If you would like more background on this project, see the blog posts here>, here>, here>, and here> – and the project page HERE>

It’s going to be a really interesting few days, and I am looking forward to meeting the other participants and talking with them about discipline-bridging work. I’ve long held the belief that the ‘divide’ between art & science as disciplines is false and limiting – which is not to say that there aren’t real challenges to be faced when working this way.

IMG_3005

But there are so many rich opportunities to be had for artists to stretch themselves and learn to ‘speak science’ a bit better, and pay attention to the precision in research & practice in that discipline  – just as there are for scientists to learn how to ‘speak art’ a bit better and open up the potential for co-creation, and approaching their work with fresh eyes (and ears!)