I’ll be speaking on MAKE=BELIEVE, an ongoing site-specific project that has been in development for the last several years. Recently, this project has really taken off in a number of ways; thanks to the support of the Edmonton Arts Council’s Creator’s Reserve Program, I’ve been able to take a deep dive into the project, and have discovered so much more that I want to pursue.
It’s really exciting to have the opportunity to talk about work in progress, and get feedback from a different community of artists, and I’m very grateful to Sheila McMath and Inter-Arts Matrix for the invitation!
Information on the talk and link to register is below:
SNAP has done a fantastic job of keeping everyone safe for the last several months, and the Members’ Show & Sale will be no exception. For folks who prefer to limit their exposure outside their bubbles/cohort, you can shop the entire show online too.
I feel extremely grateful to be part of this community, and even more so that I will have work in this exhibition along side so many talented SNAP artists.
Check it out online or in person – it’s going to be lovely!
This will be a FREE, online, informal conversation with Sarah Huffman of the AGA; I’ll be walking participants through some recent projects, showing some new work that will be avaialable through Art Rental & Sales and talking about my approach to art-making.
If you’re interested and have the time, it would be lovely to see you – there will be a Q&A after the presentation.
It’s been a head-down, get-things-done time for several months now. Board work, projects in various stages of development requiring attention, travel, … and soon, an exhibition of work.
I am thrilled to have had the opportunity to return to the Boundary|Time|Surface project over the last several months – digging back into the images and video, thinking through the ideas again, making new work.
The exhibition opens on September 5 2019, at 6:00 pm. – and continues until November 2 2019.
It has been a really interesting process to look at this body of work with the fresh eyes of time and distance, and to consider the ways in which my perceptions of the place and the thoughts it provoked have both changed, and stayed the same. Interesting too, that many of the concerns I had that were brought to bear on the first iteration of work for gallery presentation have only become more urgent – closer to the bone for me.
Every time I look at the photos and video I took in 2014 during my residency in Gros Morne National Park, I learn something more. About myself and what I value as a human being, as much about the nuances in the place itself. It was good and difficult work to go back into the material, push harder with research and art-making both, and consider the implications of bringing this work (in essence) almost all the way across the country for a second showing.
A good friend and fellow artist asked me once “when do you know the work is finished?” For this body of work … I don’t know that I will ever be “finished” – at the least, not with the ideas inherent in the project. But I am, overall, happy with the results of reading and writing and running down rabbit holes of ideas that has been going on for the past year.
SO – this exhibition with feature a good bit of brand-new work, and those pieces from 2016 that ‘made the cut’ will have new conversations and readings in relation to what I’ve been working on/through. This is also the first time this work (in any iteration) had been shown west of Newfoundland … so even “old” work feels new in this context.
I hope those of you reading this in the Edmonton, Alberta, Canada region will join me at the opening (more exciting news on that to follow soon!) … hope to see you there.
A day to watch snow fall. Play some music. Make food and eat it.
Tomorrow will be busier; family coming over for a shared meal, gifts exchanged – a different kind of energy, no less delightful for all of that.
And tonight – a chance to pause again, and wish everyone a safe, happy, and peaceful night, filled with laughter and love. Be gentle with each other, and with yourself. The light is coming back, and now is the time to nurture new ideas and projects, to welcome change and the turn of the wheel for another year.
My thanks to those who read my posts here, on whatever platform. I am grateful for the privilege of being able to share my thoughts with you.
I wish each of you the Very Best this Season has to offer, however you may enjoy it.
A good way to celebrate the Season and start toward a New Year:
I am very happy to announce that a selection of my work is now available for sale or rental through the Art Gallery of Alberta!
I think this is a great program from the AGA – renting work is a very cost-effective way to live with art you love, and – if you can’t live without it – a portion of your rental fees for the first 6 months of a rental can go toward a purchase!
And Art Rental and Sales at the AGA showcases the work of more than 150 Alberta artists working in a wide range of media and styles – so it feels especially good to be in such good company, and working with an organization that supports local creators.
A HUGE Thank You to everyone that came out on a busy evening, with less than ideal weather!
We all had a busy night; lots of lovely conversations, and thoughtful comments. The best way to launch new work into the world.
I was also really happy that the lovely humans that have supported this project from the outset – and on whose land the original living installation sits – were able to attend and see this first foray into taking the MAKE=BELIEVE project into a different context! looking forward to lots of chats and feedback from them on this exhibition!
For those of you who weren’t able to be there last Friday: Archived Terrain – Terrain Archivéis up until 5pm September 29th. Regular hours are NOON – 5pm, Saturdays and Sundays – other times by appointment.
I will be gallery sitting on Sunday, September 23rd, NOON – 5pm, if you want to visit!
Some images of my installation/room below:
photo montage of animals in the installation on the farm
tail of an old windmill from the farm; what we do to bend the land to our purposes never lasts
a sun and compass from found objects
the windmill tail again
digitally manipulated photo and found object installation … the immigrant/homestead experience is part of this work
3 digitally manipulated photographs; human use of raw materials becomes camouflage
I am very happy to say that I will be presenting some brand-new work in a group show coming up very soon!
Details below – I look forward to seeing anyone in the area who cam make it to the Opening Reception.
Exhibition hours after the Opening are listed in the invitation, or by appointment.
Some information about the exhibition:
ARCHIVED LAND : TERRAIN ARCHIVÉ at Jackson Power Gallery, Edmonton September 15 to 29
2ndfl, 9744 60 Ave, Edmonton, AB
Opening reception 7pm, September 14, 2018
Exhibit hours: Noon to 5pm
Saturdays and Sundays, September 15 to 29
Or by appointment: 780-499-7635
Jackson Power Gallery presents Archived Land : Terrain Archivé, the final exhibit before the gallery closes its doors.
Land holds memory: layered, fragmented, buried, or strongly etched. It represents identity and connection to our own history and to those who came before us; a narrative landscape that intersects human experience and the natural world.
The gallery’s layout of separate but interconnected rooms forms an environment for individual artist’s interpretation of the theme, providing the visitor with the perception of movement through time and place.
Une initiative par collaborateurs/a collaborative initiative by:
Patrick Arès-Pilon & Conor McNally
BELLE//MONDO vous invite à rentrer dans un assemblage de photographie tirée de vrai pellicule diapo Ektachrome datant de 1997. Cette oeuvre place un regard sur les environnements naturels et bâtis captée sur le territoire du traité numéro 6 incluant à Edmonton, Spruce Grove et La Sapinière en 2018.
BELLE//MONDO welcomes you to enter an immersive photography installation using vintage 35mm Ektachrome slide film (frozen since 1997). This collaborative work features layered sights of natural and built environments captured on Treaty 6 land in and around Edmonton, Spruce Grove & La Sapinière in 2018.
Paddy considers himself to be a Canadian, Irish, Ulster Scots, Quaker, Huguenot, Celtic, Proto-Indo-European citizen of the world. His painting, drawing, and installation work acknowledges the role of landscape as a repository for our history, culture and collective memory, exploring the imprint of society on nature and how we form deep and lasting attachments to the land. His work is also a form of self-examination – a search for alternatives that continue to define his ‘sense of place’.
Sydney’s multidisciplinary practice explores the complicated position the individual inhabits in relation to ideas of place, land & ownership, and the ways in which both people and spaces are ‘written upon’ by larger social-political-cultural narratives over time. She is interested in the realities exposed by branches that only bend so far and how newer growth offers much more flexibility, but less strength for supporting weight.
Ultimately, her work is about how we understand and make sense of the land and the space between us.
As a long-time archivist and now Edmonton’s Historian Laureate, Marlena Wyman’s art practice is informed by history, and her rural Alberta upbringing provides her with a deep connection to land.
We interpret our memories and identities in part through traces of past lives, whether of our ancestors or others. A haunting photograph or a handwritten passage in the diary or a letter of a long dead stranger can create a profound personal connection.