Musicworks and Macromareal

It’s been head down and ‘getter done’ lately on a number of fronts, and so writing her has fallen by the wayside for a while.

In any case, in the midst of getting various jobs finished in the studio and elsewhere, I received a lovely thing in the mail:

The latest issue of Musicworks, with a great article by Ian Crutchley

It’s always a bit of a thrill for me to see the work of my collaborators & friends showcased – and this article about Scott Smallwood‘s work is well written and wide-ranging.

It’s also really lovely that Ian contacted me for comments fo the article, and that he wound up including some information and pictures from Macromareal – my first collaboration with Scott. Timing was more than fortuitous, as Macromareal (redux) had just closed at the ~Diffuser Gallery at Emily Carr.

A nice moment to look back on the work we did, and a great collaboration – in the midst of working on several things, and looking forward to new adventures.

Talking, Tomorrow …

Just back from a whirlwind trip to Vancouver with my friend & collaborator Scott Smallwood – we installed Macromareal(redux) at Emily Carr for a month-long exhibition, and spoke to some of the students there.

Not sure I’ve caught my breath – but tomorrow (February 28) I will be speaking again, with another collaborator, about another project – this time, at the University of Alberta.

At 6pm, Dr. John Waldron and I will be speaking about our project, Boundary|Time|Surface, as part of the LASERAlberta series of talks on art/science collaborations.

 

I am really grateful & excited to have this opportunity to share this project with the wider community here – and I’m really looking forward to the feedback and discussion!

You can find more info about the talk & the project here … .

If you are in the neighbourhood, please join us!

Everything Old is New Again? (more frozen flora)

Some beautiful images to start the year. My thanks to Karen McRae and her exquisite eye for capturing these moments so perfectly.

Wishing everyone a good 2019!

All images copyright Karen McRae, 2019, including ‘featured image’ at the top of this page.

Branching Out …

A good way to celebrate the Season and start toward a New Year:

I am very happy to announce that a selection of my work  is now available for sale or rental through the Art Gallery of Alberta!

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I think this is a great program from the AGA – renting work is a very cost-effective way to live with art you love, and – if you can’t live without it – a portion of your rental fees for the first 6 months of a rental can go toward a purchase!

And Art Rental and Sales at the AGA showcases the work of more than 150 Alberta artists working in a wide range of media and styles – so it feels especially good to be in such good company, and working with an organization that supports local creators.

A nice start to the week!

Digging in Again … B|T|S

Been a busy busy Autumn – two exhibitions. travel to Lethbridge & Nova Scotia, Board work with CARFAC and Copyright Visual Arts

http://www.carcc.ca/en/mainhttps://www.carfac.cahttps://www.carfacalberta.com

… and now, I get to seriously “dig in” in the studio in the coming months, and revisit Boundary|Time|Surface! Very excited to be looking at this body of work again with fresh eyes, and to being to create new work for it, in anticipation of exhibition in the Fall of 2019 at the Art Gallery of St Albert.

I was also surfing through the EGU website today – the call for new abstracts for 2019 just hit my inbox.

This prompted the surf, and a bit of a walk on memory lane: John and I presented on Boundary|Time|Surface at the European Geosciences Union in Vienna a few years ago, and it was a wonderful experience.

In browsing the EGU site, I also came across this – a lovely blog post about the session convenor’s response to our project. It brought back the very lively discussions we had with so many people at our poster – about scientific discourse, about place and memory, about the ways in which human definitions and descriptions of things and places  can create (and erase!!) different kinds of understanding. Different ways of seeing.

Looking forward to investigating this gloriously complicated place and all my ideas about it.

Off to the studio!

 

Slippages – Score and Performance

UBC Symphony Orchestra performs Deborah Carruthers’ “slippages” from UBC School of Music on Vimeo.

Here’s a video of the performance of Slippages, edited by Jonathan Girard to show the relationship between the Graphic Score written by Deborah Carruthers & the performance the audience heard.

It was great to be involved in this project; my thanks to Deborah, Jonathan, and John William for being such great collaborators, and for welcoming me in to this project!

Enjoy.

Slippages – video of the performance

Back in Edmonton now, doing some post-performance and post-Thanksgiving work: the “get yer ducks in a row” for the next work to be done.

Much to be thankful for, as always – being able to make work with talented collaborators, the opportunity to share ideas and approaches here and in person, the tremendous support I receive from my family and friends (without whom none of this would be possible).

So – a brief moment to take stock, and to share a link to the video of the performance shot for Livestream on October 5th.

Click on the IMAGE BELOW to go to the UBC School of Music’s video:

The Present is the Key to the Past: Glaciers, Scores, & Sound

Here’s a great little interview with Jonathan Girard and Deborah Carruthers about Slippages,and some of the thinking behind the work! Getting very very excited to see this all come together tomorrow. Enjoy!

Seeing Sound … and getting ready for Slippages

I’m in Vancouver now, and working on the last edits for the video work I am creating to accompany the world premiere of Slippages on October 5th.

image © 2018 Deborah Carruthers, used with permission

 

I am delighted to share UBC Orchestra Director Jonathan Girard‘s take on what we are doing:

“Deborah’s gorgeous score presents a thrilling challenge. How do we, as musicians, interpret visual art?” explained Girard.

“We want the music to speak to the cool beauty of the work, but also the ideas behind it: of flux, of change, of loss. Just as the natural world has a life of its own, a kind of agency apart from human influence, we want the music, through improvisation, to have a life of its own that goes above and beyond the performers.”

image © 2018 Deborah Carruthers, used with permission

 

For those of you not able to attend in person – the performance will be LIVE STREAMED – so I hope you have a chance to check it out!!

Getting very excited …