This will be a FREE, online, informal conversation with Sarah Huffman of the AGA; I’ll be walking participants through some recent projects, showing some new work that will be avaialable through Art Rental & Sales and talking about my approach to art-making.
If you’re interested and have the time, it would be lovely to see you – there will be a Q&A after the presentation.
I have been busy working through the last few months of documentation from the work done this year on MAKE=BELIEVE. So much to think about, and many, many threads of research to pursue. The longer I work on this installation, the more I learn and discover. What a joy that is.
Here’s part 1 of a walk through the installation – I hope it’s a chance for people to pause for a few minutes, and maybe provide a little break in these odd and crazy times.
Looking forward to any feedback you may want to provide. Stay well & safe.
Grateful for a couple of quiet days, so that I could get to the documentation, and actually DO this!
So – here you are – a short video walk-through of Macromareal!
A note in the sound you will hear: the first is an excerpt of “Fogbreath,” created by Scott Smallwood from field recordings in and around Parrsboro NS, where we held residencies to create this work in 2016 and 2017. This sound work was presented in the first gallery, as shown in the video.
The second is an excerpt of a recording of “Wave Passage Effects,” which Scott created in MAX, and which was presented in real time in the second gallery, with a video projection of the software used to sonny environmental data in real time in the gallery. This was an opportunity to ‘see sound’ and ‘hear environmental data’ from the magnificent Bay of Fundy.
The third excerpt is from the recording of the (very first!) 2017 performance of “Macromareal Prelude: in fog and storm and sunshine” composed by Scott as part of this project. We presented this work at the beginning of the exhibition at SNAP Gallery as well, but with a group of wonderful brass musicians.
Hope you enjoy this – and if you have questions. please feel free to shoot me a note from my contact page.
SATURDAY October 10, 2020 – 1pm – 2pm MST SNAP will be presenting our artist talk, online.
Macromareal approaches the tidal range in the Bay of Fundy, its documentation, and related environmental data through a series of interrelated works that explore the cyclic and durational aspect of natural processes, and the relationship between those processes, human activities, and conceptions of time and memory. The artists will discuss the trajectory of the Macromareal project, their collaboration, and the resulting concoction of work in the exhibition.
This lecture is free, online, and open to the public.
It’s a VERY odd time to be presenting work to the public – but I am so happy with all the precautions SNAP has in place, and so very happy to sew showing work in their BRAND NEW home!
There’s several things going on for this iteration of MACROMAREAL. Both Scott and I have re-worked existing elements of the project, and I have been busy since the last time this work was shown making a bunch of new prints! So, brand new work for us in a new space – how lucky can you get??
The exhibition will be opening on the evening of September 11, from 7 – 9 pm. This will be a hybrid event: SNAP is pre-booking (free) tickets to see the show in person, and limiting the number of people in the gallery at one time, so that everyone can stay safe AND see the art in person. We will also be online – Scott & I are attending the Opening virtually, so more people can see the work in person if they want to – and anyone else who wants to attend virtually is welcome to do so as well!
There will also be a socially-distanced LIVE performance of Scott Smallwood’s score “Macromareal Prelude: in Fog and Storm and Sunshine” on Saturday September 12, at 1:00 pm local time, in the immediate neighbourhood of SNAP, outsdoors. We are both extremely happy to be able to work with some excellent local Edmonton musicians for this event, and to be able to present this work live in a safe way. This is a ‘roving’ performance work; the musicians will be moving in the neighbourhood as they play, and will be distanced; we ask that anyone attending keep 2metres or more from any musician(s) they encounter, and PLEASE wear a MASK!
Scott and I will also be presenting an artists’ talk about the genesis and evolution of the project on Saturday, October 10th, again at 1pm local time. This talk will be presented online.
I’ve been thinking a good bit over the last few months about self-care, and in particular the need for conscious self-care on the part of artists.
In part these thoughts come from my own understanding of what I need – starting with saying ‘no’ more often – and honouring the fact that I need LOTS of recharge time on my own to be good to and for others and for the community I wish to support and serve. That means fewer opportunities sometimes – which has its own sort of stress. But for me right now, that’s necessary. These thoughts also stem from many conversations (truth to tell, too many) with other artists over the last couple of years about the reality of their lives, and about exhaustion and burnout.
How incredibly focussed and dedicated my colleagues are – and how tired. Juggling jobs (two? three? more???) some of them, to keep head above water in a gig economy. OR, finally landing “THE job” – the one that pays enough to forego the side gigs – just to see time and energy eaten week after week by the needs and demands of the work at hand, because there aren’t enough hands to do the work, or hours in the day … and they are responsible people, who care about their colleagues and the work they do.
And these bright, talented people ask themselves (and have admitted to me): “I wonder if I am still an artist? Can I even call myself that anymore?
That’s a hard thing to hear, especially given that it’s evident how much talent they have and how much they have to offer the world and their community, on all kinds of levels.
SO – why on earth am I talking about this, and interspersing these observations with pictures of autumn leaves, and glancing sunlight, and panorama photos of coastlines and sky?
Because I have the privilege of being able to take some time for myself just now; I have joked that I have “run away” temporarily … but I haven’t really. Not at all.
If anything, I have gone away to be more totally present. I had the opportunity to get away from my home city and all that is familiar, and to spend some time in another part of the country. I jumped at it. I knew I needed the break very badly, and was (and continue to be) incredibly grateful for the good fortune that has allowed me to do this.
To just be for a little while.
To figure a little bit more out – what next, why, what are the limits, how far and hard to push, and in what direction.
What is healthy (for me) … what is healthy for each of us? It can’t be the grind that I see so many people inside, in all walks of life. Is it any wonder so many of us are angry? Sad? Feeling desperate?
Do I have the solutions or answers or tools to help? I have no idea. But I do know that not having the opportunity to just STOP for a little bit, every so often, absolutely precludes the opportunity to consider these questions – and to seek the answers that are right for oneself.
May the world shift in favour of more humane ways of being for all of us.
Tomorrow is another day, and perhaps it will be a good one, for more of us.