MACROMAREAL – at SNAP

Very excited to say that MACROMAREAL (a rising tide lifts all boats) will be opening at SNAP (Society of Northern Alberta Print-artists) on September 11, 2020!~

It’s a VERY odd time to be presenting work to the public – but I am so happy with all the precautions SNAP has in place, and so very happy to sew showing work in their BRAND NEW home!

There’s several things going on for this iteration of MACROMAREAL. Both Scott and I have re-worked existing elements of the project, and I have been busy since the last time this work was shown making a bunch of new prints! So, brand new work for us in a new space – how lucky can you get??

The exhibition will be opening on the evening of September 11, from 7 – 9 pm. This will be a hybrid event: SNAP is pre-booking (free) tickets to see the show in person, and limiting the number of people in the gallery at one time, so that everyone can stay safe AND see the art in person. We will also be online – Scott & I are attending the Opening virtually, so more people can see the work in person if they want to – and anyone else who wants to attend virtually is welcome to do so as well!

Fundy Sine, Cyanotype on Cotton, 2017.

There will also be a socially-distanced LIVE performance of Scott Smallwood’s score “Macromareal Prelude: in Fog and Storm and Sunshine” on Saturday September 12, at 1:00 pm local time, in the immediate neighbourhood of SNAP, outsdoors. We are both extremely happy to be able to work with some excellent local Edmonton musicians for this event, and to be able to present this work live in a safe way. This is a ‘roving’ performance work; the musicians will be moving in the neighbourhood as they play, and will be distanced; we ask that anyone attending keep 2metres or more from any musician(s) they encounter, and PLEASE wear a MASK!

Dress rehearsal for the original performance of Scott’s score in 2017, Parrsboro NS

Scott and I will also be presenting an artists’ talk about the genesis and evolution of the project on Saturday, October 10th, again at 1pm local time. This talk will be presented online.

A collage of various elements of the project as it evolved

And for some added fun: I will be facilitating a cyanotype workshop/demo online for SNAP on Thursday September 17, starting at 6pm.

Caution, Cyanotype on Cotton, 2019

Looking forward to all of this very much – and hope that you can join us for some of it.

The Escape, and What I Found

I have been so very blessed to be able to spend time away from the city this summer, working on a project close to my heart.

Make=Believe is progressing well – I’m working hard on the installation, and it’s coming well – but I am also spending my time considering (and re-consdering) all the resonances and histories the place holds. Many kids of archaeology here, many types of rootedness … .

And surprises, always.

A delightful moment in my last work trip: a man, a flute, a magpie, and the trees that lend their bodies to the work of this installation.

I hope you enjoy it.

Sharing … at a Safe Distance

It’s been quiet here in some ways – and definitely not in others! Whilst we have all been minimizing our in-person contact with friends and colleagues (well ok, with EVERYONE!) for the last few weeks, there’s been a flurry of activity behind the scenes regarding advocacy and support initiatives of various sorts. It’s been confusing at times, and much has happened very quickly – so it’s been challenging to keep up and understand what is relevant to my profession as an independent visual artist, and to the sector as a whole.

Happily, CARFAC Alberta and CARFAC National have been doing a fantastic job of compiling and distilling information as it becomes available, and advocating for appropriate support for our sector. I have never been more grateful for the work these organizations do to support artists and advocate on their behalf. As a board member in both, I continue to offer my time and effort to help them help all of us.

If you want to chat about what’s available, what you are facing, and what CARFAC is doing, I’ll be part of an online session on MAY 2, from 1:00 pm – 2:30 pm MDT

Join CARFAC Alberta for a SATURDAY ZOOM ENGAGEMENT…
What CARFAC is doing for Visual Artists during COVID -19
Hosted by Chris W. Carson: Executive Director, CARFAC Alberta and guest Sydney Lancaster: CARFAC National Board Member and Alberta Representative on the CARFAC National Board.

The ZOOM coordinates are here:

Join Zoom Meeting: https://us02web.zoom.us/j/87871667746
Meeting ID: 878 7166 7746

I hope to see & hear from you then!

A Talk, Upcoming

Very happy to say that I will be presenting a talk with John Waldron about our cross-disciplinary work on the Boundary|Time|Surface project next week.

If you are in the Wolfville, Nova Scotia area, the talk is being presented at Acadia University – details in the image above.

Looking forward to sharing this project with students from both Visual Arts and Earth Science!

Off Again …

Just about to leave for Vancouver for the CARFAC National Conference and AGM!

Looking forward to seeing my colleagues from right across the country, and sharing ideas and practical tools to assist artists.

I am particularly happy that there will be a panel on Indigenous Intellectual & Cultural Property Rights. This is an area of artists’ rights I need and want to learn more about!

I am also really excited to hear updates on two different projects to help artists protect their copyright and earn more for their creative work:

The Prescient Blockchain Project, and the Image Bank and Licensing Platform from Copyright Visual Arts!

It’s going to be a busy few days … but it’s going to be really informative and fun too!

A Talk September 14th

Now that the dust has settled from the Opening of Boundary|time|Surface, I am happy to say that Dr. John Waldron and I will be presenting a talk on the project, and the ideas behind our collaboration!

This Saturday, September 14, at 2pm – if you’re in the area, please join us at the Art Gallery of St. Albert for our discussion:

“Boundary|Time|Surface:

Art and Geology in Dialogue”

Just a Few More hours …

Well.

Here we are – a few hours from the opening reception to Boundary|Time|Surface.

This still point in the process always feels a little surreal. So much goes into the making of an exhibition. In this case, 5 years from the original project to now; at least a solid year of research and work in the studio; lots of challenges, changes, and rewards along the way.

Am I nervous? Yes, to be honest. I feel far too close to the work to be able to assess its merits at this point … one tends to dwell on the things that only hindsight reveals. But here we are.

It’s all process anyway – every work and every exhibition speaks to what is next, and new ways of doing.

At any rate, if you are around in the area, please join us tonight. It would be lovely to see you.

Countdown begins … Today

It’s officially one week from today that Boundary|Time|Surface opens at the Art Gallery of St. Albert! Not quite sure how the time flew by so fast (well, actually yes, I am – in the studio!) – but regardless – I find there’s always a sense of time speeding up just before a show.

And it’s been busy on a number of fronts: the not-glamourous jobs an artist does to make the stuff all happen the way it should for an exhibition.

Case in point (sorry of the awful sort-of pun):

Packing. Ah yes, making work is one thing – packing it is another entirely! Fortunately, I didn’t have to build crates for the work this time, as we can transport it ourselves – but the work still needs protection. And list -making becomes part of this process too, of course. Making sure that all the bits and bobs of hardware and tools and just-in-case things are sorted and packed and there when we need them for install.

And then there’s the transport part of it too:

Spent a couple of hours playing ‘car tetris’ with the bins and boxes and other stuff … and in a little while, we’ll be getting this all unloaded and dropped off at the Gallery.

HOLY MOLY. Here we go!

Another New Thing …

There’s more to the upcoming exhibition of Boundary|Time|Surface – another labour of love attached to the work that I will be launching into the world on September 5th.

To accompany the exhibition, we will be launching a limited-edition book!

Boundary|Time|Surface – a record of change gathers essays that examine the work on exhibition and the ideas informing its creation from several distinct perspectives. A critical essay from Melinda Pinfold, PhD opens the book, and offers an insightful reading of the project as a whole, and the dialogue between art & science informing the project. John Waldron’s essay explores the history of geology as a science, and how his understanding of time and place is informed by a lifetime of practice within the discipline. And I spend a few pages in both prose and poetry trying my best convey what the original project – and the several years of work coming out of that original ephemeral installation – have taught me.

Boundary|Time|Surface – a record of change also functions as an artwork; we have selected a range of images from the time lapse stills we shot of the creation and dissolution of the installation at Green Point, and presented them in sequence in the style of a flip-book.

This is a limited-edition of 200, signed and numbered. For the duration of the exhibition, the book will be available exclusively through the Art Gallery of St. Albert.