Had the pleasure of interviewing Gary James Joynes (AKA Clinker), multidisciplinary artist and musician, for the New Music Edmonton podcast “The NO Normal” recently.
It was a really lovely opportunity to talk to Gary about his work – both new and older – and catch up with him about some ideas and influences we share in our respective practices.
The No Normal podcast is now available on Soundcloud and wherever else podcasts are available.
The first episode of 2021 features some great discussions and music. Ian Crutchley, New Music Edmonton Artistic Director, discusses a wide range of topics with the incoming Artistic Directors of New Works Calgary, Rebecca Bruton and Lesley Hinger. They also share some of their own music with us. The second part of this episode is the interview/conversation between me and Gary. There’s also a sneak peak of some of Gary’s forthcoming work, and discussion of his new piece Sonic Suns (((GENESIS))) commissioned by New Music Edmonton, and available on Vimeo.
Give it a listen – The No Normal Podcast has had a great line up so far – lots of interesting ideas and projects!
I’ll be speaking on MAKE=BELIEVE, an ongoing site-specific project that has been in development for the last several years. Recently, this project has really taken off in a number of ways; thanks to the support of the Edmonton Arts Council’s Creator’s Reserve Program, I’ve been able to take a deep dive into the project, and have discovered so much more that I want to pursue.
It’s really exciting to have the opportunity to talk about work in progress, and get feedback from a different community of artists, and I’m very grateful to Sheila McMath and Inter-Arts Matrix for the invitation!
Information on the talk and link to register is below:
This will be a FREE, online, informal conversation with Sarah Huffman of the AGA; I’ll be walking participants through some recent projects, showing some new work that will be avaialable through Art Rental & Sales and talking about my approach to art-making.
If you’re interested and have the time, it would be lovely to see you – there will be a Q&A after the presentation.
I have been busy working through the last few months of documentation from the work done this year on MAKE=BELIEVE. So much to think about, and many, many threads of research to pursue. The longer I work on this installation, the more I learn and discover. What a joy that is.
Here’s part 1 of a walk through the installation – I hope it’s a chance for people to pause for a few minutes, and maybe provide a little break in these odd and crazy times.
Looking forward to any feedback you may want to provide. Stay well & safe.
Grateful for a couple of quiet days, so that I could get to the documentation, and actually DO this!
So – here you are – a short video walk-through of Macromareal!
A note in the sound you will hear: the first is an excerpt of “Fogbreath,” created by Scott Smallwood from field recordings in and around Parrsboro NS, where we held residencies to create this work in 2016 and 2017. This sound work was presented in the first gallery, as shown in the video.
The second is an excerpt of a recording of “Wave Passage Effects,” which Scott created in MAX, and which was presented in real time in the second gallery, with a video projection of the software used to sonny environmental data in real time in the gallery. This was an opportunity to ‘see sound’ and ‘hear environmental data’ from the magnificent Bay of Fundy.
The third excerpt is from the recording of the (very first!) 2017 performance of “Macromareal Prelude: in fog and storm and sunshine” composed by Scott as part of this project. We presented this work at the beginning of the exhibition at SNAP Gallery as well, but with a group of wonderful brass musicians.
Hope you enjoy this – and if you have questions. please feel free to shoot me a note from my contact page.
I am in the process of editing a raft of documentation from the recently-closed Macromareal exhibition at SNAP. Below, a selection of images from that exhibition – a fond reminder for me of how lovely it was to show in this beautiful gallery & be supported by such an excellent organization – and a sampling of what was there for those who weren’t able to see the work in person.
The festival went live today, and will be presented in transit stations in Edmonton & Calgary, and online for folx elsewhere in the world.
My film is called “Chaotic Bodies: Take A Minute” – and as the name implies, it is a one-minute musing on the strange times we are experiencing, and the value of the moments in which we can pause – step back – take a minute to recharge – and then decide what it is that we want to do.
2020 has been characterized by stress, fear, chaos, and isolation. And yet, in all of that there has been value: a massive wakeup call to all of us to really consider what we value, and which things need to be jettisoned to create a happier life and a better world for all of us as time passes.
It’s my hope that this little minute will spur further reflection, and offer a short burst of bright visual input as the days grow shorter, and life continues to be complicated.
SATURDAY October 10, 2020 – 1pm – 2pm MST SNAP will be presenting our artist talk, online.
Macromareal approaches the tidal range in the Bay of Fundy, its documentation, and related environmental data through a series of interrelated works that explore the cyclic and durational aspect of natural processes, and the relationship between those processes, human activities, and conceptions of time and memory. The artists will discuss the trajectory of the Macromareal project, their collaboration, and the resulting concoction of work in the exhibition.
This lecture is free, online, and open to the public.