It’s a VERY odd time to be presenting work to the public – but I am so happy with all the precautions SNAP has in place, and so very happy to sew showing work in their BRAND NEW home!
There’s several things going on for this iteration of MACROMAREAL. Both Scott and I have re-worked existing elements of the project, and I have been busy since the last time this work was shown making a bunch of new prints! So, brand new work for us in a new space – how lucky can you get??
The exhibition will be opening on the evening of September 11, from 7 – 9 pm. This will be a hybrid event: SNAP is pre-booking (free) tickets to see the show in person, and limiting the number of people in the gallery at one time, so that everyone can stay safe AND see the art in person. We will also be online – Scott & I are attending the Opening virtually, so more people can see the work in person if they want to – and anyone else who wants to attend virtually is welcome to do so as well!
There will also be a socially-distanced LIVE performance of Scott Smallwood’s score “Macromareal Prelude: in Fog and Storm and Sunshine” on Saturday September 12, at 1:00 pm local time, in the immediate neighbourhood of SNAP, outsdoors. We are both extremely happy to be able to work with some excellent local Edmonton musicians for this event, and to be able to present this work live in a safe way. This is a ‘roving’ performance work; the musicians will be moving in the neighbourhood as they play, and will be distanced; we ask that anyone attending keep 2metres or more from any musician(s) they encounter, and PLEASE wear a MASK!
Scott and I will also be presenting an artists’ talk about the genesis and evolution of the project on Saturday, October 10th, again at 1pm local time. This talk will be presented online.
Deeply grateful for the serendipity that brought me to this series of video works today.
Especially grateful for this work by Sally Morgan and Lou Sheppard, and Kinetic Studio for the series. So much of the threads of thought and feeling I (and I am sure many, many others) have been experiencing over the last months are encapsulated here.
This still point in the process always feels a little surreal. So much goes into the making of an exhibition. In this case, 5 years from the original project to now; at least a solid year of research and work in the studio; lots of challenges, changes, and rewards along the way.
Am I nervous? Yes, to be honest. I feel far too close to the work to be able to assess its merits at this point … one tends to dwell on the things that only hindsight reveals. But here we are.
It’s all process anyway – every work and every exhibition speaks to what is next, and new ways of doing.
At any rate, if you are around in the area, please join us tonight. It would be lovely to see you.
It’s officially one week from today that Boundary|Time|Surface opens at the Art Gallery of St. Albert! Not quite sure how the time flew by so fast (well, actually yes, I am – in the studio!) – but regardless – I find there’s always a sense of time speeding up just before a show.
And it’s been busy on a number of fronts: the not-glamourous jobs an artist does to make the stuff all happen the way it should for an exhibition.
Case in point (sorry of the awful sort-of pun):
Packing. Ah yes, making work is one thing – packing it is another entirely! Fortunately, I didn’t have to build crates for the work this time, as we can transport it ourselves – but the work still needs protection. And list -making becomes part of this process too, of course. Making sure that all the bits and bobs of hardware and tools and just-in-case things are sorted and packed and there when we need them for install.
And then there’s the transport part of it too:
Spent a couple of hours playing ‘car tetris’ with the bins and boxes and other stuff … and in a little while, we’ll be getting this all unloaded and dropped off at the Gallery.
There’s more to the upcoming exhibition of Boundary|Time|Surface – another labour of love attached to the work that I will be launching into the world on September 5th.
To accompany the exhibition, we will be launching a limited-edition book!
Boundary|Time|Surface – a record of change gathers essays that examine the work on exhibition and the ideas informing its creation from several distinct perspectives. A critical essay from Melinda Pinfold, PhD opens the book, and offers an insightful reading of the project as a whole, and the dialogue between art & science informing the project. John Waldron’s essay explores the history of geology as a science, and how his understanding of time and place is informed by a lifetime of practice within the discipline. And I spend a few pages in both prose and poetry trying my best convey what the original project – and the several years of work coming out of that original ephemeral installation – have taught me.
Boundary|Time|Surface – a record of change also functions as an artwork; we have selected a range of images from the time lapse stills we shot of the creation and dissolution of the installation at Green Point, and presented them in sequence in the style of a flip-book.
This is a limited-edition of 200, signed and numbered. For the duration of the exhibition, the book will be available exclusively through the Art Gallery of St. Albert.