Macromareal Prelude

Very excited to be a part of the performance of a new original score by Scott Smallwood!

“Macromareal Prelude” will have its debut performance on Sunday August 6, beginning at 3:00 pm.

The performance will be held at First Beach in Parrsboro.

PLEASE NOTE: in case of inclement weather, the performance will MOVE to The Nonesuch Centre for the Performing Arts (Old Trinity United Church) in Parrsboro.

We are extremely happy to be working with several local musicians for this event:

Timi Levy – violin
Joel Robertson – clarinet
Michael Fuller – baritone saxophone
Bruce Robertson  – trumpet
Jamie Oatt – trumpet
Krista Wells – trombone
Kyle Dinaut  – tuba 

SPECIAL THANKS to Ottawa House Museum for the loan of a ship’s bell from their collection of artifacts for this performance!

If you are in the area, please come!

Evidence

Had a great evening at the Evidence performance on July 27!

It was a real treat to hear Stephan and Scott again, and especially so since this was the first-ever in the new Nonesuch Centre for the Performing Arts.

Harvey Lev does Pre-concert Introductions, and Stephan & Scott offer a bit of explanation regarding what the audience is about to hear

It became readily apparent that these two musicians have worked together for some time – but I didn’t realize how long it’s been until that night. 17 years! A real testament to their friendship, and the way their respective practices as sound artists and composers complement one another.

I found it interesting too that the each use completely different software for working with the field recordings they use in live performance. As Stephan pointed out to me after the concert, they think differently, and so they’re each designed their workspaces/software in the way that best suits each of them. Made perfect sense, but for some reason it hadn’t occurred to me … and are what they did together even more remarkable somehow, for the seamlessness and symbiosis between them in performance.

Some of the crowd that night
The performance underway – Stephan encouraged the audience to look around or close their eyes, because as he put it, he and Scott “were going to look like they were reading disturbing emails for most of the concert”

I also (despite Stephan’s advice to the contrary) found myself watching the two of them as much as I spent time with my eyes closed, immersed in the soundscape they were creating. Their concentration, and the deep attentiveness they paid to one another and to the improvisational work that developed between them was a fantastic lesson in presence, and in how much we ‘forget to hear’ or simply ‘tune out’ in daily living. Admittedly, often with good reason – there’s not a little white noise to filter just to stay sane these days! But nonetheless – we also miss many amazing little moments through inattention.

And after the concert, there was a happy and unexpected bonus: a great post-performance Q&A session with the audience! Lovely to hear the feedback from several in attendance – there were many insightful, thoughtful questions and comments, which I’m sure was rewarding for Stephan and Scott. Always nice to know that your work has provoked thought and generated interesting connections and ideas for people!

A great night overall, and in a really beautiful space.

Just sorry that Stephan had to leave us to go back to Chicago so soon. I’m hoping he’ll be back sooner rather than later!

A Visitor!

Had a lovely visit from fellow artist Emily Jan!

She was in Nova Scotia and New Brunswick on a short visiting-friends-and-seeing-new-things holiday, and fortuitously, it worked out that she could come to Parrsboro for a couple of days.

Lobster Roll at the Harbourview Restaurant in Parrsboro!

We started at Partridge Island and the beach below Ottawa House, and then headed out to First Beach for some lunch and to see the Bay at high tide for the day (something I hadn’t seen at this location, despite all my trips out here!).

We had a blast touring around beaches and going on foraging adventures, talking art and life, and generally enjoying this magnificent locale.

Then we were off again to the beach a Diligent River, which is stunningly beautiful – but required patience, because the tide wasn’t exactly in our favour. It took some roaming and squishing through red Fundy mud to finally get across to the gravel spit to forage for goodies. Didn’t get much, but it was worth it many times over in any case; the view is a special thing.

 

 

 

Such a treat, in so many ways – it’s always nice when work and not-work come together with friends, and it becomes an opportunity to accomplish things AND just hang out!

A Few Days In … and it’s great to be back here!

I’ve been getting settled in here the last few days – setting up my workspace, getting tools and materials unpacked, looking at and working with some found objects that have been stored here by my hosts and I over the last year (thanks Harvey & Judith!).

I’ve spent a lot of time walking too – getting out to the shore, walking the beaches, sitting and listening.

I’ve needed the time to slow down … to start to get myself in synch with this place, and with the tides especially.

The pace here is slower, to be sure (a welcome thing!) but the shift runs deeper. The rhythm of the day is so different; it is (and perhaps always will be) influenced by the cyclic push and pull of all that water – even if one’s daily life has little to do with the sea or tide, it’s here. Permeates everything.

I didn’t realize how much I’d missed it.

 

And I’ve missed the fog – it’s sultry dance across the water, the fingers that wrap themselves around the land and disappear as quickly as they touched it. Not an experience we often get on the Prairies, to be sure (though we have had more fog in the Edmonton river valley the last few years).

 

And all. that. water. Almost sentient at times, it seems. It’s unforgiving; beautiful and terrible in its power and capacity to overwhelm.

During the 12.4-hour tidal period, 115 billion tonnes of water flow in and out of the bay.

I find that number incomprehensible intellectually; viscerally, it makes perfect sense.

So it’s a matter for me of finding ways to express that in some way; to look at how humans have sought to understand this fact … to dig into the different ways all those tons of water have shaped the place, physically and otherwise.

The many ways the tide means.

Deadline approaching … a Call of Submissions

I posted about this a while ago – but I know how busy everyone is, so I thought it might be a good idea to post again, before the deadline is upon us all.

Visual Arts Alberta – CARFAC is partnering with Latitude 53 Contemporary Visual Culture to present an art-and-activism themed exhibition in June 2017.

This exhibition will coincide with the CARFAC National Conference, which we are hosting in Edmonton this year, on June 3rd.

The goal is to present Alberta – Based Artists who address political issues/advocacy/representation of under-represented voices.

Here’s an image of the Call (and a PDF).

Feel free to pass on to any Alberta Visual Artists that you feel would be interested!

Get the PDF HERE:  Call-for-Submissions-Trumpet

TWO CALLS: for Alberta Artists

52d6e266-3492-40b9-8f55-37bcdb8e8838

 

Alberta | Trumpet: OPEN CALL to Alberta Artists that use visual art to change how people think about our world

Visual Arts Alberta – CARFAC is partnering with Latitude 53 Contemporary Visual Culture to stage a 3 – 5 person exhibition opening at the beginning of June 2017 at Latitude 53 Contemporary Visual Culture in Edmonton.

Submission deadline: midnight Tuesday April 4th, 2017.

We are interested in artists that use art to question new political realities (locally, nationally, internationally) and who have a unique perspective that is under-represented or unrecognized within current exhibition and curatorial practices.  Special consideration will be given to artists operating from positions that may be termed marginalized or otherwise outside dominant cultural narratives.

To have your work considered for this exhibition: send in one email to carfac@visualartsalberta.com on or before midnight Tuesday April 4th, 2017. Please include the following items as attachments, and title the email RE: Trumpet submission.

  • Your c.v. (3 pages max. as a PDF or Word file).
  • 3-5 JPEG images (72 dpi, 1024 pixels on the longest side) of recent work that you would like to exhibit or that illustrates what you do.
  • Links to your website or other online material that features examples of your work.
  • Your complete Alberta address, telephone numbers, and email address.
  • A 1-2 page (PDF or Word file) artist statement that answers the following: who you are as a person and as an artist (if you consider yourself to be operating from the margins please explain how), what you are trying to achieve with your art, and how your work illustrates your intentions.

Exhibition Royalty Fees will be paid in accordance with the current CARFAC Minimum Fee Schedule.


Alberta | Call for Submissions: Ten Voices 2017 Photographic and Digital Works

Ten Albertan artists, working in photographic and digital media, will be selected to represent a cross-section of the approach that our Province’s artistic minds are taking as they embrace and use these rapidly-evolving technologies. These works will be shown in Calgary and Edmonton.

We invite all Alberta artists to submit images for the opportunity to exhibit their work in a group exhibition. All subject matter, styles and techniques are welcome.

Submission Deadline: Friday April 21, 2017 at 4 pm.

Exhibition Dates: in Calgary, from late August to mid-October, 2017 and in Edmonton, from mid-October to the end of November, 2017. Actual exhibition dates TBA. The work will be exhibited at the Jubilee Auditorium in Calgary (South) and Edmonton (North). Exhibiting artists will receive an artist fee.

For more information, including submission guidelines, download the Call and Entry Form(PDF)

Creating a RUCKUS, update!

I wrote last month about a dance/choreography project I am involved in – RUCKUS – and wanted to offer an update on Anastasia’s progress for funding this phase of the work.

105_studio-e_4x6_4035

The GoFundMe campaign has raised$1200 so far – which is exciting – HUGE THANK YOU to everyone that has supported this so far!

That $1200 is about 70% of the goal for the project – so, it’s doing well – but it’s getting down to the wire to make the last 30%, so that everyone involved can be paid properly for their work to make this project a reality.

This is a really exciting chapter in my practice, I would really love to be able to continue to work with these fine dancers and choreographers.

092_studio-e_4x6_3999

If you would like to help support this work, there’s still time to contribute (even the price of a coffee out will make a difference) –  our collective, RUCKUS-filled thanks.

002_studio-e_4x6_3714

IMAGE CREDIT: All Images,  Ernest at Studio E Photography

Me, Talking about Things

I’ve been invited to speak on my work as part of the Visiting Artist series at MacEwan University.  My thanks to MacEwan for hosting me, and to Bruce Montcombroux for the kind invitation!

Print
Make:Believe, in four seasons

I’ll be discussing some of the ideas that have informed recent work, and (some) of the many questions I ponder in presenting work in various locales (galleries, ‘natural’ environments, domesticated landscapes), and how those works and spaces connect (or don’t).

Looking forward very much to hearing what the students have to say, and discussing their questions & ideas with them!

 

Helping to Create a RUCKUS!

002_studio-e_4x6_3714

I had the pleasure earlier this fall of working with Anastasia Maywood, Krista Posyniak, and Alison Kause (and a group of amazing dancers!) on a new dance work-in-progress called RUCKUS.

131_studio-e_4x6_4114

Anastasia has been given a residency by the Good Women Dance Collective in Edmonton to develop the work further, and has launched a GoFundMe Campaign to support the residency work, so that we can bring RUCKUS to life  as a more fully-developed work.

209_studio-e_4x6_4287

I am so excited by this collaborative process, and being able to create sculptural work specifically for people (dancers) to interact with has been both challenging and a whole lot of fun. What this work is teaching me about sculpture and space is invaluable, and I am working with some wonderful, intelligent and talented women in making this idea a reality.

165_studio-e_4x6_4190

If you would like to support this project, you can help Create a RUCKUS here!

143_studio-e_4x6_4149

IMAGE CREDIT: All Images,  Ernest at Studio E Photography