Macromareal Prelude

Very excited to be a part of the performance of a new original score by Scott Smallwood!

“Macromareal Prelude” will have its debut performance on Sunday August 6, beginning at 3:00 pm.

The performance will be held at First Beach in Parrsboro.

PLEASE NOTE: in case of inclement weather, the performance will MOVE to The Nonesuch Centre for the Performing Arts (Old Trinity United Church) in Parrsboro.

We are extremely happy to be working with several local musicians for this event:

Timi Levy – violin
Joel Robertson – clarinet
Michael Fuller – baritone saxophone
Bruce Robertson  – trumpet
Jamie Oatt – trumpet
Krista Wells – trombone
Kyle Dinaut  – tuba 

SPECIAL THANKS to Ottawa House Museum for the loan of a ship’s bell from their collection of artifacts for this performance!

If you are in the area, please come!

Talking about things … and art …

Scott and I will be doing an artist talk on Friday August 4!

We will be gathering at Main & Station, 168 Main Street Parrsboro – at 7:30 pm.

Looking forward sharing some background on our respective practices with people, and also discussing our collaborative project, Macromareal!

 

Hope you can join us!

A Visitor!

Had a lovely visit from fellow artist Emily Jan!

She was in Nova Scotia and New Brunswick on a short visiting-friends-and-seeing-new-things holiday, and fortuitously, it worked out that she could come to Parrsboro for a couple of days.

Lobster Roll at the Harbourview Restaurant in Parrsboro!

We started at Partridge Island and the beach below Ottawa House, and then headed out to First Beach for some lunch and to see the Bay at high tide for the day (something I hadn’t seen at this location, despite all my trips out here!).

We had a blast touring around beaches and going on foraging adventures, talking art and life, and generally enjoying this magnificent locale.

Then we were off again to the beach a Diligent River, which is stunningly beautiful – but required patience, because the tide wasn’t exactly in our favour. It took some roaming and squishing through red Fundy mud to finally get across to the gravel spit to forage for goodies. Didn’t get much, but it was worth it many times over in any case; the view is a special thing.

 

 

 

Such a treat, in so many ways – it’s always nice when work and not-work come together with friends, and it becomes an opportunity to accomplish things AND just hang out!

A Few Days In … and it’s great to be back here!

I’ve been getting settled in here the last few days – setting up my workspace, getting tools and materials unpacked, looking at and working with some found objects that have been stored here by my hosts and I over the last year (thanks Harvey & Judith!).

I’ve spent a lot of time walking too – getting out to the shore, walking the beaches, sitting and listening.

I’ve needed the time to slow down … to start to get myself in synch with this place, and with the tides especially.

The pace here is slower, to be sure (a welcome thing!) but the shift runs deeper. The rhythm of the day is so different; it is (and perhaps always will be) influenced by the cyclic push and pull of all that water – even if one’s daily life has little to do with the sea or tide, it’s here. Permeates everything.

I didn’t realize how much I’d missed it.

 

And I’ve missed the fog – it’s sultry dance across the water, the fingers that wrap themselves around the land and disappear as quickly as they touched it. Not an experience we often get on the Prairies, to be sure (though we have had more fog in the Edmonton river valley the last few years).

 

And all. that. water. Almost sentient at times, it seems. It’s unforgiving; beautiful and terrible in its power and capacity to overwhelm.

During the 12.4-hour tidal period, 115 billion tonnes of water flow in and out of the bay.

I find that number incomprehensible intellectually; viscerally, it makes perfect sense.

So it’s a matter for me of finding ways to express that in some way; to look at how humans have sought to understand this fact … to dig into the different ways all those tons of water have shaped the place, physically and otherwise.

The many ways the tide means.

Me, Talking about Things

I’ve been invited to speak on my work as part of the Visiting Artist series at MacEwan University.  My thanks to MacEwan for hosting me, and to Bruce Montcombroux for the kind invitation!

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Make:Believe, in four seasons

I’ll be discussing some of the ideas that have informed recent work, and (some) of the many questions I ponder in presenting work in various locales (galleries, ‘natural’ environments, domesticated landscapes), and how those works and spaces connect (or don’t).

Looking forward very much to hearing what the students have to say, and discussing their questions & ideas with them!

 

A thought …

… that I came across today. A quote, actually, from Martin Creed, that sums up some of the ideas that have been rolling around in my head for a while now.

On a more literal level, working some of this out through the creation of the original Boundary|Time|Surface installation in 2014, and in other ways in the work that arose from it and that is now on exhibition in Newfoundland.

At any rate, Creed said:

“I started thinking about the difficulty of drawing lines on a map, making country borders, which is exactly the same as drawing on a piece of paper. Any definite border is against nature and against life.”

Things bleed into one another; that is the reality of it all. Eventually, all the myriad ways of dividing up the world (and ourselves) break down and erode. The edges get fuzzy, or float away.

These compartments we build are convenient, but they are illusions.

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View from cliff top
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View facing the cliff at Green Point

Thanks Martin, I needed that today.

{SOURCE: “Martin Creed on Why Art Can’t Ignore the World around It” by Philomela Epps, https://www.artsy.net/article/artsy-editorial-martin-creed-on-why-art-can-t-ignore-the-world-around-it}

Boundary|Time|Surface is Open!

It’s been very quiet here lately … and a bit frantic everywhere else in my life.

Just got back from a week in Newfoundland, installing Boundary|Time|Surface at the Discovery Centre Gallery in Gros Morne National Park! The exhibition will be up for the entire season – until early October 2016. If you have a chance to visit this magical place, please drop in, and let me know what you think!

It was lovely to be back in Woody Point. It’s a gorgeous spot on the planet, and the terrific people out there make it even better. The staff of Parks Canada and all the folks I’ve met in Woody Point and Rocky Harbour are part of what makes Gros Morne so special to me; it’s been more like a family reunion than going to work. Waking up to whales playing in Bonne Bay every morning didn’t hurt either!

It was a hectic, challenging, tiring week – but worth it to see this work up and complete in a way I’ve not had the opportunity to experience until now. It’s a very interesting process/experience, seeing the work all together for the first time; there’s always that element of wondering if what you’d envisioned would really make sense in the space, as an integrated series of pieces that speak to the viewer both individually and as a whole.

Here’s a (very short) video walk-thru of the exhibition (apologies for the slightly shaky footage – handheld on a phone isn’t ideal, I know):

And a few still images of the work as well:

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I wanted to take a moment to thank some people for their help in making this exhibition a reality …

John Waldron – my geological partner in life, the universe, and everything, scientific collaborator, resource person, and tech troubleshooter extraordinaire

Jennifer Galliott – artist, entrepreneur, and top notch exhibition install assistant (she makes a mean latte too!)

Rob Hingston – and Parks Canada for having faith in the project, and bringing the exhibition to the Discovery Centre

Bruce Gillam – for his assistance with the lighting, cabling, and making things the best they could be

It’s time to  regroup a bit, nurse my colossal jet lag and exhaustion – and start to get organized for the next round of work and travel … more on that in a bit.

Just One Week Left …

… until YORK closes at the Alternator Centre for Contemporary Art.

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It’s amazing how fast the weeks have flown by – it certainly doesn’t feel like a month since we were installing the work at the gallery!

So – if you’re in Kelowna in the coming week, drop in and see YORK, and say hello to Lorna and Ketrena, and all the lovely people who are a part of the Alternator community!

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The exhibition closes on April 23.

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Spring!

I’ve been so immersed in work lately, that it’s good to have a reminder that it is indeed SPRING …

The simple exuberance of those first bright green buds on the trees, the enthusiastic (and sometimes frantic) birdsong from the bushes … makes me want to be outside much, much more than I am currently able.

SO.

A little eye candy for the day’s work, for everyone who needs to be indoors today, instead of enjoying the sunshine.

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Beautiful work by Rebecca Louise Law. Would simply love to see this in person!

Enjoy!

(images via thisiscolossal, courtesy Bikini Berlin)