News & Writing

Macromareal (redux) – some images

After a whirlwind – and lovely – trip to Vancouver to install Macromareal(redux) at ECUAD, Scott and I are back in Edmonton and digging into all the other work we have to do.

Part of that for me has been editing the first batch of documentation from this exhibition, so I can share it with you.

So – without further hoopla:

macromareal redux walk thru from Sydney Lancaster on Vimeo.

And here are a few stills, for good measure!

Talking, Tomorrow …

Just back from a whirlwind trip to Vancouver with my friend & collaborator Scott Smallwood – we installed Macromareal(redux) at Emily Carr for a month-long exhibition, and spoke to some of the students there.

Not sure I’ve caught my breath – but tomorrow (February 28) I will be speaking again, with another collaborator, about another project – this time, at the University of Alberta.

At 6pm, Dr. John Waldron and I will be speaking about our project, Boundary|Time|Surface, as part of the LASERAlberta series of talks on art/science collaborations.

 

I am really grateful & excited to have this opportunity to share this project with the wider community here – and I’m really looking forward to the feedback and discussion!

You can find more info about the talk & the project here … .

If you are in the neighbourhood, please join us!

Redux, on the Road …

I thought the beginning of this year was going to be relatively quiet – a time just to hunker down & work in the studio through the cold months.

There’s certainly been a good bit of that – preparations for an exhibition in the Fall – but then a lovely opportunity came up …

I am very excited to share that Scott Smallwood and I have bene invited to exhibit some of our collaborative work at Emily Carr University of Art + Design. Macromareal (redux) will be shown in ~Diffuser Gallery at ECUAD from February 26 – March 24 inclusive.

We will be heading out to Vancouver on Sunday to begin installing the work, and will also be speaking to some of the EUCAD classes about the project and our respective practices.

Looking forward immensely to this little get-away, and to the opportunity to share this work from the East Coast with a West Coast audience!

If you are in the Vancouver area, I hope you can stop in and see it – would love to hear your thoughts.

Everything Old is New Again? (more frozen flora)

Some beautiful images to start the year. My thanks to Karen McRae and her exquisite eye for capturing these moments so perfectly.

Wishing everyone a good 2019!

All images copyright Karen McRae, 2019, including ‘featured image’ at the top of this page.

A time of Gratitude

It has been a quiet, gentle day. No hubbub.

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A day to watch snow fall. Play some music. Make food and eat it.

Tomorrow will be busier; family coming over for a shared meal, gifts exchanged – a different kind of energy, no less delightful for all of that.

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And tonight – a chance to pause again, and wish everyone a safe, happy, and peaceful night, filled with laughter and love. Be gentle with each other, and with yourself. The light is coming back, and now is the time to nurture new ideas and projects, to welcome change and the turn of the wheel for another year.

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My thanks to those who read my posts here, on whatever platform. I am grateful for the privilege of being able to share my thoughts with you.

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I wish each of you the Very Best this Season has to offer, however you may enjoy it.

Be well and take care of one another.

Branching Out …

A good way to celebrate the Season and start toward a New Year:

I am very happy to announce that a selection of my work  is now available for sale or rental through the Art Gallery of Alberta!

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I think this is a great program from the AGA – renting work is a very cost-effective way to live with art you love, and – if you can’t live without it – a portion of your rental fees for the first 6 months of a rental can go toward a purchase!

And Art Rental and Sales at the AGA showcases the work of more than 150 Alberta artists working in a wide range of media and styles – so it feels especially good to be in such good company, and working with an organization that supports local creators.

A nice start to the week!

Digging in Again … B|T|S

Been a busy busy Autumn – two exhibitions. travel to Lethbridge & Nova Scotia, Board work with CARFAC and Copyright Visual Arts

http://www.carcc.ca/en/mainhttps://www.carfac.cahttps://www.carfacalberta.com

… and now, I get to seriously “dig in” in the studio in the coming months, and revisit Boundary|Time|Surface! Very excited to be looking at this body of work again with fresh eyes, and to being to create new work for it, in anticipation of exhibition in the Fall of 2019 at the Art Gallery of St Albert.

I was also surfing through the EGU website today – the call for new abstracts for 2019 just hit my inbox.

This prompted the surf, and a bit of a walk on memory lane: John and I presented on Boundary|Time|Surface at the European Geosciences Union in Vienna a few years ago, and it was a wonderful experience.

In browsing the EGU site, I also came across this – a lovely blog post about the session convenor’s response to our project. It brought back the very lively discussions we had with so many people at our poster – about scientific discourse, about place and memory, about the ways in which human definitions and descriptions of things and places  can create (and erase!!) different kinds of understanding. Different ways of seeing.

Looking forward to investigating this gloriously complicated place and all my ideas about it.

Off to the studio!

 

Slippages – Score and Performance

UBC Symphony Orchestra performs Deborah Carruthers’ “slippages” from UBC School of Music on Vimeo.

Here’s a video of the performance of Slippages, edited by Jonathan Girard to show the relationship between the Graphic Score written by Deborah Carruthers & the performance the audience heard.

It was great to be involved in this project; my thanks to Deborah, Jonathan, and John William for being such great collaborators, and for welcoming me in to this project!

Enjoy.

Speechless.

Just back from an amazing, life-and-practice affirming few days on Lethbridge at IAST 2018. More on that later, when I aim more grounded and in a better space.

Being immersed in such a creative and positive environment made the return to ‘the news of the day’ perhaps more jarring & disheartening, I don’t know.

What I do know is that what is going on globally, and most certainly to the immediate south of Canada is deeply disturbing, more so by the day. And it is mirrored elsewhere in the world, including in my home province (to a lesser degree, to be sure – for now).

But I wonder increasingly about the entire notion of ‘humanity’ and ‘civil society’ in a time in which we are witness to fewer and fewer examples of both.

So, for the moment, I must sit with this reality, in order to move forward in a positive way.

Wishing you all peace and safety.

*feature image for this post from the work of Micheal Pederson)

Macromareal at University of Lethbridge

Happy to say that I have been busy sorting and packing work, and helping to write a presentation for the last while …

Scott Smallwood and I will be presenting a talk and our collaborative work Macromareal: a rising tide lifts all boats at Crossing Boundaries/IAST 2018 symposium, October 25 – 27th!

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If you would like more background on this project, see the blog posts here>, here>, here>, and here> – and the project page HERE>

It’s going to be a really interesting few days, and I am looking forward to meeting the other participants and talking with them about discipline-bridging work. I’ve long held the belief that the ‘divide’ between art & science as disciplines is false and limiting – which is not to say that there aren’t real challenges to be faced when working this way.

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But there are so many rich opportunities to be had for artists to stretch themselves and learn to ‘speak science’ a bit better, and pay attention to the precision in research & practice in that discipline  – just as there are for scientists to learn how to ‘speak art’ a bit better and open up the potential for co-creation, and approaching their work with fresh eyes (and ears!)